Let’s
just get this first bit out of the way: this is not a “movie” in any
conventional sense. It is, and should be approached as, a joint lecture
by two eminent philosophers given to a room full of undergrads. It was
shot on two digital cameras and edited together fairly arbitrarily. It
is like a You Tube video that lasts for the better part of two hours,
replete with fuzzy visual and unpredictable audio quality, and lacking
any real production values.
Indeed, there are times when people walk
in front of the camera,
when the camera cannot seem to get a good shot of the man speaking,
when the microphone crackles and pops and generally fails to pick up
the sound, and (most unfortunately) when members of the audience yawn,
fan themselves, and/or appear to be thinking about anything other than
the subject at hand. Moreover, it suffers from consistently weird
lighting, a static and uninteresting set, and the (let’s face it) very
basic problem that it consists of an inherently unfilmworthy thing.
Now, moving on from the
this-is-a-weird-film-to-watch-on-DVD-for-almost-two-hours issue, an
issue which I have to underline is fairly fundamental considering that
this is a movie and not a book-on-tape (which it surely should have
been), it must be said that the content of the discussion is
consistently fascinating. While utterly stultifying to watch, it is
profoundly interesting to listen to this “conversation” between Simon
Critchley and Alain Badiou, two of the more prominent contemporary
philosophers.
Critchley, whose lovely British accent
and enviable articulateness,
is in direct contrast with the elder Badiou’s obfuscatory accent, opens
the discussion with a rather provocative talk on nihilism in the
post-9/11 scene. He reminds us that there are in operation two key
forms of nihilism – passive and active, as established by Nietzsche –
and that the passive form begets a kind of empty resistance to
hegemonic power. People give up, relent, despair, conform, or worse,
they pretend to resist. Indeed, it is in the active form of nihilism
that we have seen various expressions of counterhegemonic resistance,
often with spectacular, and lasting, effects.
However, it is also in this active form
of nihilism – and he
includes in this category Lenin’s Bolshevism, Marinetti’s Futurism, Guy
Debord’s Situationism, and Al Qaeda – that violence is made central to
the enterprise. In this activity, the world’s meaningless is structural
– it must be torn down. As such, violence is either venerated or
pursued. Critchley, who famously crossed swords with Slavoj Zizek this
past year over the idea of active versus passive resistance, is not
here arguing for violence, but rather against passivity. This is
confusing, but important. His lecture is an incisive and brief (at 35
minutes) distillation of the key arguments in his recent book Infinitely
Demanding (2007).
For his part, Badiou offers a difficult,
somewhat rambling
discussion of Critchley’s arguments vis-à-vis resistance.
However, his
thick French accent obscures much of what he has to say to the
untrained ear. Still, the key point to be taken from Badiou’s lecture
is that Truth needs to re-emerge as a viable philosophical category.
His anti-postmodernist approach is predicated on the view that without
a re-appreciation of the possibility for truth (as opposed to Meaning,
which is subjective), a politics of resistance cannot cohere into
anything beyond ineffectual and small-scale affronts. He makes wide
reference to the role of the event in all of this, and also to interruptions.
Indeed, his lecture is a combination of a response to Critchley and a
précis of his 2004 work Infinite Truth.
Ultimately, this is an interesting and
informative lecture that,
through this DVD, we can all sort of attend. So, for the 20-or-so of
you for whom that doesn’t sound like a horrific way to spend a couple
hours: enjoy. Everyone else: read their books.
Democracy and Disappointment features a conversation between Alain
Badiou and Simon Critchley addressing the politics of resistance in DVD
video format, with a brochure featuring their recent philosophical
writings about politics, heroism, and poetics. During the 2007-2008
academic year, students in the RBSL Bergman Foundation Curatorial
Seminar at the University of Pennsylvania collaboratively engaged in
research spanning disciplines such as literature, visual culture,
urbanism, geo-politics, and technology. One residue of these endeavors
was this publication that attempts to construct an archive of the
temporal—in particular, this site-specific conversation on November 15,
2007 at Slought Foundation in Philadelphia.
Alain Badiou (1937) taught philosophy at the University of Paris
VIII from 1969 until 1999, and then at the École Normale
Supérieure
(ENS). Much of Badiou's life has been shaped by his dedication to the
consequences of events of May 1968. Long a leading member of Union des
jeunesses communistes de France (marxistes-léninistes), he
remains with
Sylvain Lazarus and Natacha Michel at the center of L'Organisation
Politique, a post-party organization concerned with direct popular
intervention in a wide range of issues (including immigration, labor,
and housing). He is the author of several successful novels and plays
as well as more than a dozen philosophical works. In the 1980s, Badiou
published a series of technical and abstract philosophical works such
as Théorie du sujet (1982), and his magnum opus, Being and Event
(1988). In the last decade, an increasing number of Badiou's works have
been translated into English, such as Ethics, Deleuze, Manifesto for
Philosophy, and Metapolitics.
Simon Critchley (1960) is Professor of Philosophy at the New School
for Social Research, New York, since 2004. Like many of his generation,
defined by punk, generalized nihilism, and the disappointments that
followed 1968, he was politicized by the Miners’ Strike in 1984-85 and
worked as a local activist throughout the 1980s and early 1990s before
becoming disaffected with mainstream party politics. He is the author
of many books, including Very Little... Almost Nothing (Routledge,
1997), Ethics-Politics-Subjectivity (Verso, 1999), On Humour
(Routledge, 2002), and Things Merely Are (Routledge, 2005). Infinitely
Demanding (Verso, 2007), the topic of the conversation featured in this
publication, extends into political theory and political analysis by
way of an extended engagement with Marx and an argument for an
ethically committed political anarchism.
Further Information:
"In disoriented times, we cannot
accept the return of the old, deadly figure of religious sacrifice; but
neither can we accept the complete lack of any figure, and the complete
disappearance of any idea of heroism. In both cases, the consequences
will be the end of any dialectical relationship between humanity and
its element of inhumanity, in a creative mode. So the result will be
the sad success of what Nietzsche named 'the last man.' 'The last man'
is the exhausted figure of a man devoid of any figure. It is the
nihilistic image of the fixed nature of the human animal, devoid of all
creative possibility. Our task is: How can we find a new heroic figure,
which is neither the return of the old figure of religious or national
sacrifice, nor the nihilistic figure of the last man? Is there a place,
in a disoriented world, for a new style of heroism?" -- Alain Badiou
"The sense of something lacking or failing arises from the
realization that we inhabit a violently unjust world, a world defined
by the horror of war, a world where, as Dostoevsky says, blood is being
spilt in the merriest way, as if it were champagne. Such an experience
of disappointment is acutely tangible at the present time, with the
corrosion of established political structures and an unending war on
terror where the moods of Western populations are controlled through a
politics of fear managed by the constant threat of external attack.
This situation is far from novel and might be said to be definitional
of politics from antiquity to early and considerably later modernity.
My point is that if the present time is defined by a state of war, then
this experience of political disappointment provokes the question of
justice: what might justice be in a violently unjust world? It is this
question that provokes the need for an ethics or what others might call
normative principles that might enable us to face and face down the
present political situation. Our main task is to respond to that need
by offering a theory of ethical experience and subjectivity th
Continuing on with my monotonous, but
oddly rewarding Badiou kick
(well over 100 pages into Being and Event, I fear I may be wasting my
time…see Alexei’s (Now Times) cogent response to Badiou here).
From the Slought Foundation in
Philadelphia a few weeks ago: a
public conversation between Alain Badiou and Simon Critchley called
“Democracy and Dissapointment: Alain Badiou/Simon Critchley on the
Politics of Resistance.” This event features a 30 minute presentation
by Simon Critchley about his recent
quasi-Levinasian/Badiouan/Lacanian/Kantian, but somehow readable Infinitely
Demanding,
followed by remarks and public conversation with Alain Badiou on
metapolitics and the politics of resistance and dissensus. You can hear
the audio here.
And now for some quotes and bonus material:
“In disoriented times, we cannot accept the return of
the old, deadly figure of religious sacrifice; but neither can we
accept the complete lack of any figure, and the complete disappearance
of any idea of heroism. In both cases, the consequences will be the end
of any dialectical relationship between humanity and its element of
inhumanity, in a creative mode. So the result will be the sad success
of what Nietzsche named ‘the last man.’ ‘The last man’ is the exhausted
figure of a man devoid of any figure. It is the nihilistic image of the
fixed nature of the human animal, devoid of all creative possibility.
Our task is: How can we find a new heroic figure, which is neither the
return of the old figure of religious or national sacrifice, nor the
nihilistic figure of the last man? Is there a place, in a disoriented
world, for a new style of heroism?” – Alain Badiou, “The Contemporary
Figure of the Soldier in Politics and Poetry” (UCLA, 2007)
Caption: Jeremy Deller,
Still from The Battle of Orgreave, 2001 / © Jeremy Deller
“The sense of something lacking or failing arises from
the realization that we inhabit a violently unjust world, a world
defined by the horror of war, a world where, as Dostoevsky says, blood
is being spilt in the merriest way, as if it were champagne. Such an
experience of disappointment is acutely tangible at the present time,
with the corrosion of established political structures and an unending
war on terror where the moods of Western populations are controlled
through a politics of fear managed by the constant threat of external
attack. This situation is far from novel and might be said to be
definitional of politics from antiquity to early and considerably later
modernity. My point is that if the present time is defined by a state
of war, then this experience of political disappointment provokes the
question of justice: what might justice be in a violently unjust world?
It is this question that provokes the need for an ethics or what others
might call normative principles that might enable us to face and face
down the present political situation. Our main task is to respond to
that need by offering a theory of ethical experience and subjectivity
that will lead to an infinitely demanding ethics of commitment and
politics of resistance.” – Simon Critchley, Infinitely Demanding:
Ethics of Commitment, Politics of Resistance (Verso, 2007)
Also, for a bonus, here is a transcript
of ‘Ours is not a terrible
situation,’ an earlier conversation between Alain Badiou and Simon
Critchley at Labyrinth Books, NY, in March 6, 2006; a printed version
is forthcoming from Philosophy Today. badcritchlab.pdf (PDF)
French
philosophy
Contemporary
philosophy |
|
Name |
Alain Badiou
|
Birth |
1937
Rabat, Morocco |
School/tradition |
Continental philosophy, Maoism |
Main interests |
Set Theory,
Mathematics,
Metapolitics, |
Influenced by |
Plato, Marx, Cantor,
Albert Lautman, Mao Zedong,
Lacan, Althusser,
Paul Cohen,
Sartre,
Deleuze,
Hegel |
Influenced |
Slavoj
Žižek, Bruno Bosteels, Peter Hallward, Simon
Critchley, Ray Brassier, |
Alain Badiou (born 1937, Rabat, Morocco)
is a prominent French Marxist
philosopher,
formerly chair of philosophy
at the École
Normale Supérieure (ENS). Along with Giorgio
Agamben and Slavoj Zizek,
Badiou is a prominent figure in an anti-postmodern
strand of continental
philosophy. Particularly through a creative appropriation of set theory
from his early interest in mathematics,
Badiou seeks to recover the concepts of being, truth
and the subject
in a way that is neither postmodern nor simply a repetition of modernity. This article or section does not cite its
references or sources. ...
Image File history File links Metadata
Size of this preview: 399 × 599 pixelsFull resolution (533
× 800
pixel, file size: 48 KB, MIME type: image/jpeg) File historyClick on a
date/time to view the file as it appeared at that time. ...
Year 1937 (MCMXXXVII) was a common year
starting on Friday (link will display the full calendar) of the
Gregorian calendar. ...
Mausoleum of Mohammed V through mosque
ruins NASA image of Rabat Rabat (Arabic
الرباط,
transliterated
ar-RabÄ�á¹
or ar-RibÄ�á¹),
population 1. ...
Set theory is the mathematical theory
of sets, which represent collections of abstract objects. ...
For other meanings of mathematics or
uses of math and maths, see Mathematics (disambiguation) and Math
(disambiguation). ...
Metapolitics is the study of theories
regarding the structure of which political ideologies are built upon.
...
For other uses, see Plato
(disambiguation). ...
Karl Heinrich Marx (May 5, 1818
–
March 14, 1883) was a 19th century philosopher, political economist,
and revolutionary. ...
Georg Ferdinand Ludwig Philipp Cantor
(March 3, 1845[1] – January 6, 1918) was a German
mathematician. ...
Mao redirects here. ...
Jacques-Marie-Émile Lacan
(French
pronounced ) (April 13, 1901 – September 9, 1981) was a French
psychoanalyst, psychiatrist, and doctor, who made prominent
contributions to the psychoanalytic movement. ...
Louis Pierre Althusser (Pronunciation:
altuˡse�) (October 16, 1918 –
October 22, 1990) was a Marxist philosopher. ...
Paul Joseph Cohen (April 2, 1934
– March 23, 2007[1]) was an American mathematician. ...
Jean-Paul Charles Aymard Sartre (June
21, 1905 – April 15, 1980), normally known simply as Jean-Paul
Sartre
(pronounced: ), was a French existentialist philosopher and pioneer,
dramatist and screenwriter, novelist and critic. ...
Gilles Deleuze (January 18, 1925 -
November 4, 1995) was a major French philosopher of the late 20th
century. ...
Georg Wilhelm Friedrich Hegel (August
27, 1770 - November 14, 1831) was a German philosopher born in
Stuttgart, Württemberg, in present-day southwest Germany. ...
Slavoj
Žižek (pronounced: ) (born 21
March 1949) is a Slovenian sociologist, postmodern philosopher, and
cultural critic. ...
Simon Critchley is a British
philosopher, working in Continental philosophy and related fields. ...
Year 1937 (MCMXXXVII) was a common
year starting on Friday (link will display the full calendar) of the
Gregorian calendar. ...
Mausoleum of Mohammed V through mosque
ruins NASA image of Rabat Rabat (Arabic
الرباط,
transliterated
ar-RabÄ�á¹
or ar-RibÄ�á¹),
population 1. ...
Marxism is the political practice and
social theory based on the works of Karl Marx, a 19th century
philosopher, economist, journalist, and revolutionary, along with
Friedrich Engels. ...
A philosopher is a person who thinks
deeply regarding people, society, the world, and/or the universe. ...
For other uses, see Philosophy
(disambiguation). ...
The École normale
supérieure (also
known as Normale Sup, Normale, ENS, ENS-Paris, ENS-Ulm or Ulm) is a
prestigious French grande école, possibly the most
prestigious. ...
Giorgio Agamben (born 1942) is an
Italian philosopher who teaches at the Università IUAV di
Venezia. ...
Slavoj Žižek. ...
Postmodernity (also called
post-modernity or the postmodern condition) is a term used by
philosophers, social scientists, art critics and social critics to
refer to aspects of contemporary art, culture, economics and social
conditions that are the result of the unique features of late 20th
century and early 21st century...
Continental philosophy is a term used
in philosophy to designate one of two major traditions of modern
Western philosophy. ...
Set theory is the mathematical theory
of sets, which represent collections of abstract objects. ...
For other meanings of mathematics or
uses of math and maths, see Mathematics (disambiguation) and Math
(disambiguation). ...
This article is about ontology in
philosophy. ...
Time Saving Truth from Falsehood and
Envy, François Lemoyne, 1737 For other uses, see Truth
(disambiguation). ...
Subject (philosophy) - Wikipedia, the
free encyclopedia /**/ @import /skins-1. ...
The Age of Enlightenment (French: ;
Italian: ; German: ; Spanish: ; Swedish: ) was an eighteenth-century
movement in Western philosophy. ...
Biography
Badiou was trained formally as a philosopher
as a student at the École
Normale Supérieure (ENS) from 1956 to 1961, a period during
which he took courses at the Sorbonne.
He
had a lively and constant interest in mathematics. He was
politically active very early on, and was one of the founding members
of the Unified
Socialist Party (PSU). The PSU was particularly active in the
struggle for the decolonization
of Algeria.
He wrote his first novel, Almagestes, in 1964.
In 1967 he
joined a study group organized by Louis
Althusser and grew increasingly influenced by Jacques
Lacan. A philosopher is a person
who thinks deeply regarding people, society, the world, and/or the
universe. ...
The École normale
supérieure (also
known as Normale Sup, Normale, ENS, ENS-Paris, ENS-Ulm or Ulm) is a
prestigious French grande école, possibly the most
prestigious. ...
The Sorbonne, Paris, in a 17th century
engraving The historic University of Paris (French: ) first appeared in
the second half of the 12th century, but was in 1970 reorganised as 13
autonomous universities (University of Paris I–XIII). ...
The Unified Socialist Party (French:
Parti Socialiste Unifié, PSU) was a socialist political
party in
France, founded on April 3, 1960. ...
Colonialism in 1945 Decolonization
refers to the undoing of colonialism, the establishment of governance
or authority through the creation of settlements by another country or
jurisdiction. ...
Also Nintendo emulator: 1964
(emulator). ...
Year 1967 (MCMLXVII) was a common year
starting on Sunday (link will display full calendar) of the 1967
Gregorian calendar. ...
Louis Pierre Althusser (Pronunciation:
altuˡse�) (October 16, 1918 –
October 22, 1990) was a Marxist philosopher. ...
Jacques-Marie-Émile Lacan
(French
pronounced ) (April 13, 1901 – September 9, 1981) was a French
psychoanalyst, psychiatrist, and doctor, who made prominent
contributions to the psychoanalytic movement. ...
The student uprisings of May 1968
reinforced Badiou's commitment to the far Left,
and he participated in increasingly radical communist
and Maoist
groups, such as the UCFML. In 1969 he
joined the faculty of University
of Paris
VIII (Vincennes-Saint Denis), which was a bastion of counter-cultural
thought. There he engaged in fierce intellectual debates with fellow
professors Gilles
Deleuze
and Jean-François Lyotard, whose philosophical works he
considered
unhealthy deviations from the Althusserian program of a scientific Marxism. A May 1968 poster: Be young and shut up,
with stereotypical silhouette of General de Gaulle. ...
The term far left refers to the
relative position a person or group occupies within the political
spectrum. ...
This article is about communism as a
form of society and as a political movement. ...
Maoism or Mao Zedong Thought (Chinese:
毛澤東思想, pinyin: Máo Zédōng Sīxiǎng),
also called Marxism-Leninism–Mao
Zedong Thought or Marxism-Leninism-Maoism (MLM), is a variant of
communism derived from the teachings of Mao Zedong (1893–1976). ...
Also: 1969 (number) 1969 (movie) 1969
(Stargate SG-1) episode. ...
The Sorbonne, Paris, in a 17th century
engraving The historic University of Paris (French: ) first appeared in
the second half of the 12th century, but was in 1970 reorganised as 13
autonomous universities (University of Paris I–XIII). ...
Gilles Deleuze (IPA: ), (January 18,
1925 – November 4, 1995) was a French philosopher of
the late 20th century. ...
This article or section does not cite
its references or sources. ...
Marxism is both the theory and the
political practice (that is, the praxis) derived from the work of Karl
Marx and Friedrich Engels. ...
In the 1980s, as both Althusserian Marxism and Lacanian
psychoanalysis went into decline (with Lacan dead and Althusser in an
asylum), Badiou published more technical and abstract philosophical
works, such as Théorie du sujet (1982), and his magnum
opus, Being and Event
(1988). Nonetheless, Badiou has never renounced Althusser or Lacan, and
sympathetic references to Marxism and psychoanalysis are not uncommon
in his more recent works.
He took up his current position at the ENS in 1999.
He is also associated with a number of other institutions, such as the
Collège International de Philosophie. He is now a member of
"L'Organisation Politique" which he founded with some comrades from the
Maoist UCFML in 1985. Badiou has also enjoyed success as a dramatist
with plays such as Ahmed le Subtil. Events of 2008: (EMILY) Me Lesley and MIley are going to
China! This article is about the year. ...
The Collège International
de
Philosophie (Ciph), located in Paris Ve arrondissement, is an open
university co-founded in 1983 by Jacques Derrida, François
Châtelet,
Jean-Pierre Faye and Dominique Lecourt in an attempt to re-think the
teaching of philosophy in France, and to liberate it from...
In the last decade, an increasing number of Badiou's works have been
translated into English, such as Ethics, Deleuze, Manifesto
for Philosophy, Metapolitics, and Being and Event.
Short pieces by Badiou have likewise appeared in American and English
periodicals, such as Lacanian Ink,
New Left
Review, Radical
philosophy, Cosmos and History [1] and Parrhesia.
Unusually
for a contemporary European philosopher his work is
increasingly being taken up by militants in movements of the poor in
countries like India, the Democratic Republic of Congo and South Africa
where he is often read together with Frantz Fanon.
Lacanian Ink is a cultural journal based in New York City and founded
in the Autumn of 1990 by Josefina Ayerza to provide the American
intellectual scene with the theoretical perspective of European
post-structuralism. ...
In 1960 in the UK, the editors of the
New Reasoner and the Universities and Left Review merged their boards
and formed the New Left Review. ...
Radical Philosophy is a UK-based
journal of critical theory and continental philosophy, appearing 6
times a year. ...
Frantz Fanon (July 20, 1925 –
December 6, 1961) was an author from Martinique, essayist,
psychoanalyst, and revolutionary. ...
Lately Badiou got into a fierce controversy within the
confines of Parisian intellectual life. It started in 2005 with the
publication of his "Circonstances 3: Portées du mot 'juif'" -
The Uses
of the Word "Jew" [2]. This book generated a strong response with calls
of Badiou being labelled Anti-Semitic.
The wrangling became a cause célèbre with articles going
back and forth in the French newspaper Le Monde
and in the cultural journal "Les temps modernes." Another philosopher
Jean-Claude Milner identified him with Maoism
and has accused Badiou of Anti-Semitism.[1] Wikipedia does
not have an article with this exact name. ...
For the song by the Thievery
Corporation, see Le Monde (song). ...
This article or section does not
adequately cite its references or sources. ...
The Eternal Jew: 1937 German poster.
...
Key concepts
Badiou
makes repeated use of several concepts throughout his philosophy. One
of the aims of his thought is to show that his categories of truth are
useful for any type of philosophical critique. Therefore, he uses them
to interrogate art and history as well as ontology and scientific
discovery.
Four
discourses
According
to Badiou, philosophy takes place under four conditions (Art, Love,
Politics, and Science), which he maintains are truth procedures, in the
sense that they produce philosophical truths. Badiou consistently
maintains throughout his work that philosophy must avoid the temptation
to attach its own truth to that of any of the discourses, a process he
terms a philosophical "disaster". Badiou often attempts to find 'points
of suture', or places of exceptional connection between the truths
produced by the various discourses. It should be noted that Badiou's
concept of truth procedure does not imply a denial of external reality.
Badiou, following Lacan, uses 'the real' to designate the space of
existing but unsymbolizable reality that can only be thought
retroactively through the truth procedures. Thus, while a truth
procedure is required to access the real, the real also serves as an
external limit on the possibility of its production of truth.
Inaesthetic
In
"the Handbook of Inaesthetics" Badiou coins the phrase 'inaesthetic' to
refer to a concept of artistic creation that denies "the
reflection/object relation". Reacting against the idea of mimesis, or
poetic reflection of 'nature', Badiou claims that art is 'immanent' and
'singular'. Immanent, in the sense that its truth is given in its
immediacy in a given work of art, and singular in that its truth is
found in art and art alone. His view of the link between philosophy and
art is tied into the motif of pedagogy, which he claims functions so as
to "arrange the forms of knowledge in a way that some truth may come to
pierce a hole in them." He develops these ideas with examples from the
prose of Samuel
Beckett and the poetry of Stéphane
Mallarmé and Fernando
Pessoa (who he argues has developed a body of work that philosophy
is currently incapable of incorporating), among others. Samuel Barclay Beckett (13 April 1906
– 22 December 1989) was an Irish dramatist, novelist and poet.
...
Portrait of Stéphane
Mallarmé by Édouard Manet. ...
Fernando Pessoa Fernando
António Nogueira de Seabra Pessoa (pron. ...
Introduction
to Being and Event
Drawing from March 8, 2006 "Art's Imperative" lecture
The major propositions of Badiou's
philosophy all find their basis in Being and Event, in which he
continues his attempt (which he began in Théorie du sujet)
to reconcile a notion of the subject with ontology,
and in particular post-structuralist and constructivist
ontologies.[2] A frequent criticism of post structuralist work
is that it prohibits, through its fixation on semiotics
and language, any notion of a subject. Badiou's work is, by his own
admission,[3]
an attempt to break out of contemporary philosophy's fixation upon
language, which he sees almost as a straitjacket. This effort leads
him, in Being and Event, to combine rigourous mathematical
formulae with his readings of poets and religious thinkers such as Mallarmé,
Hölderlin
and Pascal.
His
philosophy draws equally upon 'analytical' and 'continental'
traditions. In Badiou's own opinion, this combination places him
awkwardly relative to his contemporaries, meaning that his work had
been only slowly taken up.[4] Being and Event
offers an example of this slow uptake, in fact: it was translated into
English only in 2005, a full seventeen years after its French
publication. Image File history File
links Download high resolution version (552x729, 30 KB)Alain Badiou,
scan of a drawing on paper given to the audience of the lecture titled
Arts Imperative: Speaking the Unspeakable March 8, 2006 at Drawing
Center, NYC Presented by LACANIAN INK File history Legend: (cur) =
this...
Image File history File links
Download high resolution version (552x729, 30 KB)Alain Badiou, scan of
a drawing on paper given to the audience of the lecture titled Arts
Imperative: Speaking the Unspeakable March 8, 2006 at Drawing Center,
NYC Presented by LACANIAN INK File history Legend: (cur) = this...
This article is about ontology in
philosophy. ...
To meet Wikipedias quality standards,
this article may require cleanup. ...
Constructivism is a perspective in
philosophy that views all of our knowledge as constructed, under the
assumption that it does not necessarily reflect any external
transcendent realities; it is contingent on convention, human
perception, and social experience. ...
Semiotics, semiotic studies, or
semiology is the study of signs and symbols, both individually and
grouped into sign systems. ...
Mallarmé can refer to:
Stéphane Mallarmé
(1842–1898), French poet and critic. ...
Friedrich Hölderlin
Johann Christian
Friedrich Hölderlin [] (March 20, 1770 – June 6,
1843) was a major
German lyric poet. ...
Blaise Pascal (pronounced ), (June 20
[[1624 // ]] – August 19, 1662) was a French mathematician,
physicist, and religious philosopher. ...
As is implied in the title of the book, two elements mark the thesis of
Being and Event:
the place of ontology, or 'the science of being qua being' (being in
itself), and the place of the event — which is seen as a rupture in
ontology — through which the subject finds his or her realization and
reconciliation with truth. This situation of being and the rupture
which characterizes the event are thought in terms of set theory,
and
specifically Zermelo–Fraenkel set theory (with the axiom of
choice), to which Badiou accords a fundamental role in a manner quite
distinct from the majority of either mathematicians or philosophers. Set theory is the mathematical theory of
sets, which represent collections of abstract objects. ...
Zermelo–Fraenkel set theory,
with
the axiom of choice, commonly abbreviated ZFC, is the most common form
of axiomatic set theory, and as such is the most common foundation of
mathematics. ...
Mathematics
as ontology
For Badiou the problem which the Greek
tradition of philosophy has faced and never satisfactorily dealt with
is the problem that while beings themselves are plural, and thought in
terms of multiplicity, being itself is thought to be singular; that is,
it is thought in terms of the one. He proposes as the solution
to this impasse the following declaration: that the one is not. This is
why Badiou accords set theory (the axioms of which he refers to as the
Ideas of the multiple) such stature, and refers to mathematics as the
very place of ontology: Only set theory allows one to conceive a 'pure
doctrine of the multiple'. Set theory does not operate in terms of
definite individual elements in groupings but only functions insofar as
what belongs to a set is of the same relation as that set (that is,
another set too). What separates sets out therefore is not an
existential positive proposition, but other multiples whose properties
validate its presentation; which is to say their structural
relation. The structure
of being thus secures the regime of the count-as-one. So if one is to
think of a set — for instance, the set of people, or humanity — as
counting as one the elements which belong to that set, it can then
secure the multiple (the multiplicities of humans) as one consistent
concept (humanity), but only in terms of what does not belong
to that set. What is, in following, crucial for Badiou is that the
structural form of the count-as-one, which makes multiplicities
thinkable, implies that the proper name of being does not belong to an
element as such (an original 'one'), but rather the void set (written
Ø), the set to which nothing (not even the void set itself)
belongs. It
may help to understand the concept 'count-as-one' if it is associated
with the concept of 'terming': a multiple is not one, but it is
referred to with 'multiple': one word. To count a set as one is to
mention that set. How the being of terms such as 'multiple' does not
contradict the non-being of the one can be understood by considering
the multiple nature of terminology: there being a term
'existing' without there also being a system of terminology within
which there is difference between terms as context impleting any one
term with meaning does not coincide with what is understood by
'terminology', which is precisely difference (thus multiplicity)
conditioning meaning. Since the idea of conceiving of a term without
meaning does not compute, the count-as-one is a structural effect
or a situational operation
and not an event of truth. Multiples which are 'composed' or
'consistent' are count-effects; inconsistent multiplicity is the
presentation of presentation.
Badiou's use of set theory in this manner is not just illustrative or
heuristic. Badiou uses the axioms
of Zermelo–Fraenkel set theory to identify the relationship of being to
history, Nature, the State, and God. Most significantly this use means
that (as with set theory) there is a strict prohibition on
self-belonging; a set cannot contain or belong to itself. Russell's
paradox
famously ruled that possibility out of formal logic. (This paradox can
be thought through in terms of a 'list of lists that do not contain
themselves': if such a list does not write itself on the list the
property is incomplete, as there will be one missing; if it does, it is
no longer a list that does not contain itself.) So too does the axiom of
foundation — or to give an alternative name the axiom of regularity
— enact such a prohibition (cf. p. 190 in Being and Event).
(This axiom states that all sets contain an element for which only the
void [empty] set names what is common to both the set and its element.)
Badiou's philosophy draws two major implications from this prohibition.
Firstly, it secures the inexistence of the 'one': there cannot be a
grand overarching set, and thus it is fallacious to conceive of a grand
cosmos, a whole Nature, or a Being of God. Badiou is therefore —
against Cantor,
from whom he draws heavily — staunchly atheist.
However,
secondly, this prohibition prompts him to introduce the event.
Because, according to Badiou, the axiom of foundation 'founds' all sets
in the void, it ties all being to the historico-social situation of the
multiplicities of de-centred sets — thereby effacing the positivity of
subjective action, or an entirely 'new' occurrence. And whilst this is
acceptable ontologically (the axiom of foundation is not regarded as
particularly useful in set theory), it is unacceptable, Badiou holds,
philosophically. Set theory mathematics has consequently 'pragmatically
abandoned' an area which philosophy cannot. And so, Badiou argues,
there is therefore only one possibility remaining: that ontology can
say nothing about the event. For other
uses, see Heuristic (disambiguation). ...
This article is about a logical
statement. ...
Part of the foundation of
mathematics, Russells paradox (also known as Russells antinomy),
discovered by Bertrand Russell in 1901, showed that the naive set
theory of Frege leads to a contradiction. ...
The axiom of regularity (also known
as the axiom of foundation) is one of the axioms of Zermelo-Fraenkel
set theory. ...
Georg Ferdinand Ludwig Philipp Cantor
(March 3, 1845[1] – January 6, 1918) was a German
mathematician. ...
Atheist redirects here. ...
The event
and the subject
Drawing from November 18, 2006 "Truth procedure in politics" lecture
The
principle of the event is where Badiou diverges from the majority of
late twentieth century philosophy and social thought, and in particular
the likes of Foucault,
Butler,
Lacan
and Deleuze,
among
others. In short, it represents that which cannot be discerned in
ontology. Badiou's problem here is, unsurprisingly, the question of how
to 'make use' of that which cannot be discerned. But it is a problem he
views as vital, because if one constructs the world only from that
which can be discerned and therefore given a name, it results in either
the destitution of subjectivity and the removal of the subject from
ontology (the criticism continually leveled at Foucault's discursive
universe), or the Panglossian solution of Leibniz:
that God is language in its supposed completion.
Image File history File links Download high-resolution version
(1522x1189, 68 KB)a drawing by Alain Badiou, handed out during his Nov
18, 2006 lecture entitled Truth procedure in politics, with some
original drawings held at the Miguel Abreu Gallery in New York City. ...
Image File history File links
Download high-resolution version (1522x1189, 68 KB)a drawing by Alain
Badiou, handed out during his Nov 18, 2006 lecture entitled Truth
procedure in politics, with some original drawings held at the Miguel
Abreu Gallery in New York City. ...
Michel Foucault (pronounced )
(October 15, 1926 – June 25, 1984) was a French philosopher,
historian and sociologist. ...
Image:J Butler. ...
Jacques Lacan Jacques Lacan (April
13, 1901 – September 9, 1981) was an influential French psychoanalyst
as well as a structuralist who based much of his theories on Ferdinand
de Saussures theories on language. ...
Gilles Deleuze (January 18, 1925 -
November 4, 1995) was a major French philosopher of the late 20th
century. ...
Gottfried Leibniz Gottfried Wilhelm
von Leibniz (July 1, 1646 in Leipzig - November 14, 1716 in Hannover)
was a German philosopher, scientist, mathematician, diplomat,
librarian, and lawyer of Sorb descent. ...
Badiou again turns here to mathematics and set theory —
Badiou's language of ontology — to study the possibility of an
indiscernible element existing extrinsically to the situation of
ontology. He employs the strategy of the mathematician Paul J.
Cohen, using what are called the conditions
of sets. These conditions are thought of in terms of domination, a
domination being that which defines a set. (If one takes, in binary
language, the set with the condition 'items marked only with ones', any
item marked with zero negates the property of the set. The condition
which has only ones is thus dominated by any condition which has zeros
in it [cf. p. 367-71 in Being and Event].) Badiou reasons using
these conditions that every discernible (nameable or constructible) set
is dominated by the conditions which don't possess the property that
makes it discernible as a set. (The property 'one' is always dominated
by 'not one'.) These sets are, in line with constructible ontology,
relative to one's being-in-the-world and one's being in language (where
sets and concepts, such as the concept 'humanity', get their names).
However, he continues, the dominations themselves are, whilst being
relative concepts, not necessarily intrinsic to language and
constructible thought; rather one can axiomatically define a domination
— in the terms of mathematical ontology — as a set of conditions such
that any condition outside the domination is dominated by at least one
term inside the domination. One does not necessarily need to refer to
constructible language to conceive of a 'set of dominations', which he
refers to as the indiscernible set, or the generic set. It is
therefore, he continues, possible to think beyond the strictures of the
relativistic constructible universe of language, by a process Cohen
calls forcing.
And
he concludes in following that while ontology can mark out a space
for an inhabitant of the constructible situation to decide upon the
indiscernible, it falls to the subject — about which the ontological
situation cannot comment — to nominate this indiscernible, this generic
point; and thus nominate, and give name to, the undecidable event.
Badiou thereby marks out a philosophy by which to refute the apparent
relativism or apoliticism in post-structuralist thought. Paul Joseph Cohen (April 2, 1934 –
March 23, 2007[1]) was an American mathematician. ...
In axiomatic set theory, forcing is a
technique, invented by Paul Cohen, for proving consistency and
independence results with respect to the Zermelo-Fraenkel axioms. ...
Badiou's ultimate ethical maxim is therefore one of:
'decide upon the undecidable'. It is to name the indiscernible, the
generic set, and thus name the event that re-casts ontology in a new
light. He identifies four domains by which a subject (who, it is
important to note, becomes a subject through this process)
nominates and maintains fidelity to an event: love, science, politics
and art. By enacting fidelity to the event within these four domains
one performs a 'generic procedure', which in its undecideability is
necessarily experimental, and one potentially recasts the situation in
which being takes place.
In line with his concept of the
event, Badiou maintains, politics is not about politicians, but
activism based on the present situation and the 'evental' (his
translators' neologism) rupture. So too does love have this
characteristic of becoming anew. Even in science the guesswork
that marks the event is prominent. He vigorously rejects the tag of
'decisionist' (the idea that once something is decided it 'becomes
true'), but rather argues that the recasting of a truth comes prior to
its veracity or verifiability. As he says of Galileo
(p. 401):
Galileo can refer to: Galileo Galilei, astronomer, philosopher, and
physicist (1564 - 1642) the Galileo spacecraft, a NASA space probe that
visited Jupiter and its moons the Galileo positioning system Life of
Galileo, a play by Bertolt Brecht Galileo (1975) - screen adaptation of
the play Life of Galileo by Bertolt Brecht...
- When Galileo announced the principle of inertia, he
was still separated from the truth of the new physics by all the chance
encounters that are named in subjects such as Descartes or Newton. How
could he, with the names he fabricated and displaced (because they were
at hand — ‘movement’, ‘equal proportion’, etc.), have supposed the
veracity of his principle for the situation to-come that was the
establishment of modern science; that is, the supplementation of his
situation with the indiscernible and unfinishable part that one has to
name ‘rational physics’?
Badiou, whilst keen to
stress the non-equivalence between politics and philosophy, thus finds
his political approach — one of activism, militancy, and scepticism of
parliamentary-democratic process — backed up by his philosophy based
around singular, situated truths, and potential revolutions.
Simon Critchley on ethics
Politics of Resistance in the Contemporary World
At a time of widespread economic crisis
and growing social
instability, critical thought and practice can work to address the
political nihilism that results in an apparent poverty of alternatives.
What figures, relationships, and models of praxis still have relevance
and possibility within our situation? Drawing on current attempts to
rethink convergences between cultural practices, political agency and
philosophy around matters of concern to us all, and motivated more
broadly by an examination of correspondences between philosophy and
culture, the Event Research Group will stage an afternoon of
presentations and discussion that takes as its point of departure
philosopher Simon Critchley’s important contributions to contemporary
problems concerning ethics and political resistance.
Participants include: Simon Critchley
(Keynote); Sinead Hogan; Aislinn O’Donnell; Shane Cullen and Declan
Clarke.
Oscar Wilde's faithless Christianity
Oscar Wilde's radical
reinvention of Christianity while he lay in Reading Gaol is a profound
justification of faith
-
-
On 19th May 1897, Oscar Wilde
was released from prison after two years' detention for acts of gross
indecency. He handed a manuscript of some 50,000 words to his loyal
friend and sometime lover, Robert Ross. This was to prove his last
prose work before his death in Paris three years later and the only
piece that he wrote during imprisonment. The text was an extended
epistle to Lord Alfred Douglas, Wilde's friend and lover, whose father,
the Marquess of Queensbury, was the causa efficiens of
Wilde's downfall. This is not the place to enter into the agonies of
the relationship to Douglas, or "Bosie" as Wilde called him. Nor do I
wish to discuss the extremely lengthy litany of complaints that Wilde,
with much justice, levels at his former lover. Let's just say that
Wilde was used and treated like a fool. Perhaps he acted like a fool as
well.
An expurgated version of Wilde's letter was published in 1905 with
the title, De
profundis, which is the incipit
of the 130th Psalm in Latin, 'From the depths I cry to thee, O Lord'.
It is the religious dimension to this letter that I find so arresting,
particularly Wilde's interpretation of the person of Christ. De
profundis
is the testimony of someone who knows that he has ruined himself and
squandered the most extraordinary artistic gifts. The lesson that Wilde
draws from his ruination is humility, absolute humility. Having
initially longed to die when first entering prison and subsequently
being resolved to commit suicide on the day of his release, the
experience of incarceration teaches Wilde that, "I must learn to be
cheerful and happy". Such happiness, however – and this is the key to
the text - can only be achieved through suffering.
De profundis
De profundis
is marked by a quiet but steely audacity. Having ruined himself and
losing everything – his reputation, his wealth, his wife, his mother
who died while he was in prison, and access to his children, "a blow so
appalling that I did not know what to do" – Wilde does not bow down
before the external command of some transcendent deity. On the
contrary, he sees his sufferings as the occasion for a "fresh mode of
self-realization". He adds, "That is all I am concerned with". That is,
Wilde's self-ruination does not lead him to look outside the self for
salvation, but more deeply within himself to find some new means of
self-formation, of self-artistry. As such, in the sufferings of
incarceration, Wilde becomes more of an individualist than ever.
For such an act of self-realization, Wilde insists, neither religion
nor morality nor reason can help. This is because each of these
faculties requires the invocation of some sort of external agency.
Morality, for Wilde, is about the sanction of externally imposed law
and must therefore be rejected. Wilde says that he is, "One of those
who are made for exceptions, not for laws". Interestingly, it is in
exactly these terms that he describes the morality of Christ later in De
Profundis.
Christ's morality is sheer sympathy with the other and his conception
of justice is poetic, 'For him there were no laws: there were
exceptions merely'.
Reason enables Wilde to see that the laws
under which he was convicted and the system that imposed them are wrong
and unjust. But, he goes on, "I have got to make both of these things
just and right to me". That is, in order grasp the nature of what has
befallen him and transcend it, Wilde cannot view his misfortunes
rationally as the external imposition of an injustice. On the contrary,
he must internalize the wrong, which requires, he insists, an artistic
process. That is, every aspect of his life in prison – the plank bed,
the loathsome food, the dreadful attire, the silence, the solitude and
the shame – must be artistically transformed into what Wilde calls 'a
spiritual experience'. The various degradations of Wilde's body must
become 'a spiritualizing of the soul', an experience of aesthetic
sublimation, the transfiguration of suffering into beauty.
Everything to be true must become a religion
But
it is Wilde's views on religion that are so adventurous and, to my
ears, amenable. Where others might have faith in the unseen and
intangible, Wilde confesses a more aesthetic fidelity to "What one can
touch and look at". He then makes the extraordinary pronouncement,
When
I think of religion at all, I feel as if I would like to found an order
for those who cannot believe: the Confraternity of the Faithless, one
might call it, where on an altar, on which no taper burned, a priest,
in whose heart peace had no dwelling, might celebrate with unblessed
bread and a chalice empty of wine. Everything to be true must become a
religion. And agnosticism should have its ritual no less than faith.
It
is the phrase, "Everything to be true must become a religion" that is
most striking. What might "true" mean? Wilde is clearly not alluding to
the logical truth of propositions or the empirical truths of natural
science. I think that "true" is being used in a manner close to its
root meaning of "being true to", namely an act of fidelity that is kept
alive in the German treu, loyal or faithful. This is perhaps
what Christ had in mind when he said, "I am the truth and the life".
Religious truth is like troth, the experience of fidelity where one is
betrothed. What is true is an experience of faith and this is as true
for agnostics and atheists as it is for theists. Those who cannot
believe still require religious truth and a framework of ritual in
which they can believe. At the core of Wilde's remark is the seemingly
contradictory idea of the faith of the faithless and the belief of the
unbelievers
Yet, picking up on what was said above in connection
with morality and reason, this faith of the faithless cannot have for
its object anything external to the self, any external, divine command.
Wilde goes on,
But whether it be faith or agnosticism, it must be nothing
external to me. Its symbols must be of my own creating.
We
appear to be facing a paradox: one the one hand, to be true everything
must become a religion otherwise belief lacks (literally) credibility
or authority. Yet. On the other hand, we are and have to be the authors
of that authority. The faith of the faithless must be a work of
self-creation where I am the smithy of my own soul.
The apparent
paradox is resolved through Wilde's interpretation of the figure of
Christ. In The Soul of Man under Socialism from 1891, Wilde describes
Christ as a "beggar who has a marvelous soul", a "leper whose soul is
divine". Christ is "God realizing his perfection through pain". Wilde's
captivity might best be understood as an extended imitatio of
Christ, where he becomes who he is through the experience of suffering.
It is through suffering and suffering alone that one becomes the smithy
of one's soul. Therefore, Wilde's suffering in Reading Gaol is the
condition for his self-realization as an artist. At the core of Wilde's
understanding of Christ is an almost Schopenhauerian metaphysics of
suffering: "For the secret of life is suffering. It is what is hidden
behind everything". The truth of art, according to Wilde's romantic
aesthetics, is the incarnation of the inwardness of suffering in
outward form, the expression of deep internality in externality. It is
here that Wilde finds an intimate connection between the life of the
artist and the life of Christ.
Christ is the supreme romantic artist
For
Wilde, Christ is the supreme romantic artist, a poet who makes the
inward outward through the power of the imagination. Wilde goes even
further and says that Christ makes himself into a work of art through
the transfiguration of his suffering in his life and passion. Christ
creates himself as a work of art by rendering articulate a voiceless
world of pain. Wilde writes
To the artist, expression
is the only mode under which he can conceive life at all. To him what
is dumb is dead. But to Christ it was not so. With a width and wonder
of imagination that fills one almost with awe, he took the entire world
of the inarticulate, the voiceless world of pain, as his kingdom, and
made of himself its external mouthpiece.
In his
compassion for the downtrodden and the poor, but equally in his pity
for the hard hedonism of the rich, Christ is the incarnation of love as
an act of imagination, not reason, an imaginative projection of
compassion onto all creatures. What Christ teaches is love and Wilde
writes, "When you really want love you will find it waiting for you".
The decision to open oneself to love enables an experience of grace
over which one has no power and which one cannot decide. As Lacan
writes, "love is giving what one does not have".
Wilde's
extraordinary panegyric to Christ culminates in what he calls Christ's
'dangerous idea'. This turns upon the treatment of a sinner like Wilde
himself. Christ does not condemn the sinner – "Let him of you who has
never sinned be the first to throw the stone" – but rather sees sin and
suffering as 'being in themselves beautiful holy things and modes of
perfection'. By this, Wilde does not mean that the act of sin itself is
holy, but the transfiguration of this act that follows from the
experience of long repentance and suffering. To this extent, and Wilde
finds this a deeply un-Hellenic thought, one can transform one's past
through a process of aesthetic transfiguration or sublimation. Wilde
concludes,
It is difficult for most people to grasp
the idea. I dare say one has to go to prison to understand it. If so,
it may be worth while going to prison.
It is only in
and through the experience of imprisonment that Wilde is able to become
himself, to deepen what he relentlessly calls his individualism into a
subjectivity defined by the transfiguration of suffering. In this,
Wilde's artistic exemplar is Christ, "He is just like a work of art. He
does not really teach one anything, but by being brought into his
presence one becomes something".
The sordid necessity of living for others
This Wilde Christianity
finds its political expression in socialism. Wilde's argument for
socialism prior to his imprisonment is singular, to say the least. The
chief advantage of socialism is that it would relieve us of that,
'sordid necessity of living for others'. That is, socialism would
relieve us of the constant presence and pressure of the poor and the
burdens of charity and the so-called altruistic virtues. In eliminating
poverty at the level of the political organization of society,
socialism 'will lead to individualism'. That is, it will allow
individuals to flourish in a society that will permit and positively
encourage self-artistry and self-formation.
But is socialism possible without the experience of pain, suffering
and imprisonment, that is, without the whole imitatio of
Christ that we have followed in these remarks? In his 1891 essay on The
Soul of Man Under Socialism,
Wilde imagines a new Hellenism where the sheer joy of life would
replace painful lamentation for the suffering God. In 1897, after the
experience of imprisonment and degradation, Wilde is not so sure.
And
this is what gives the lie to Wilde's aesthetic individualism. In my
view, it is not individualism at all, but what, in my parlance, I call
a "dividualism". In the latter, the self forms itself in relation to
the experience of an overwhelming ethical demand, the sort of demand
that Christ made in the Sermon on the Mount or when he was asked to
join in the vilification of the prostitute condemned to be stoned to
death. This demand allows us to become the ethical selves of which we
are capable by dividing us from ourselves, by forcing us to live in
accordance with an asymmetrical and unfulfillable demand, the demand to
be Christ-like while knowing that we are all-too-human.
Although
we can be free of the limiting externalism of conventional morality,
established law and the metaphysics of traditional religion, it seems
that we will never be free of the "sordid necessity of living for
others". This requires an experience of faith, a faith of the faithless
that is an openness to love, of giving what one does not have and
receiving that over which one has no power.