The Sopranos
(Redirected from Sopranos)
- Alternate use: soprano (voice)
The Sopranos is a popular HBO drama created by David Chase. Over the past 5 years
the drama series has become a cultural phenomenon,
gaining popularity and unparalled critical acclaim for its groundbreaking
approach to family and the mob, as well as for pushing the envelope
of violence and strong language on television.
The series stars James Gandolfini and Edie Falco. The show highlights the difficulties
faced by Tony Soprano, a mafia boss in the New Jersey suburbs of New York City, as he tries
to balance the varying requirements of his real family and his other "family".
The series begins with Tony collapsing with an anxiety attack, which prompts him to begin therapy with Dr. Jennifer Melfi. Gradually, we learn
that Tony's mother is manipulative and possibly psychotic, someone in his
organization is talking to the FBI,
his children have troubled futures and his own superiors are plotting his
death.
The Sopranos uses the mafia culture as an exaggerated version
of the American nuclear family, to explore issues
of class, sexuality, criminality, gender, family dynamics and generational conflict.
The show has been criticized by some on the basis that it supposedly reinforces
negative Italian American stereotypes about criminals and the Mafia. This
same issue, however, has actually been adressed on the show several times,
notably in the 1st season episode "The Legend Of Tennessee Moltisanti".
The series premiered on HBO on January 10, 1999.
As of 2004 four seasons of 13 episodes each have been completed,
with a fifth season currently being broadcast and an abbreviated sixth and
final season planned for next year.
The following is a partial listing of characters from the HBO
series, The Sopranos:
- Tony Soprano, played by James Gandolfini
- Carmela Soprano, played by
Edie Falco
- Meadow Soprano, played by Jamie-Lynn DiScala
- Anthony Soprano, Jr.,
played by Robert Iler
- Dr. Jennifer Melfi, played by
Lorraine Bracco
- Christopher Moltisanti,
played by Michael Imperioli
- Silvio Dante, played by Steven Van Zandt
- Paulie Walnuts, played by Tony Sirico
- Junior Soprano, played by Dominic Chianese
- Adriana La Cerva, played by
Drea de Matteo
- Janice Soprano, played by Aida Turturro
- Bobby "Bacala" Baccilieri,
played by Steve R. Schirripa
- Patsy Parisi, played by Dan Grimaldi
- Ralph Cifaretto, played by
Joe Pantoliano
- Furio Giunta, played by Federico Castelluccio
- Sal "Big Pussy" Bonpensiero,
played by Vincent Pastore
- Johnny "Sack" Sacramoni, played
by Vince Curatola
- Richie Aprile, played by David Proval
- Hesh Rabkin, played by Jerry Adler
- Livia Soprano, played by Nancy Marchand
- Carmine Lupertazzi, played
by Tony Lip
- Artie Bucco, played by John Ventimilgia
- Charmaine Bucco, played by Katherine Narducci
- Tony Blundetto, played by Steve Buscemi
- Michele "Feech" La Manna, played
by Robert Loggia
Carmela Soprano née DeAngelis
is the long-suffering wife of fictional mafia boss Tony Soprano on the HBO
TV series, The Sopranos, played by Edie Falco.
Warning: Plot details follow.
Carmela tries to maintain the Soprano household while Tony is out
working. At times, she seems like the typical wife of the mob boss: supportive
and friendly, even strong at times, never asking about the details of her
husband's work. However, the years of having a husband missing at all hours,
coupled with his constant infidelity have put a serious strain on their relationship.
By the end of the fourth season, the two were separated, although Tony was
continuing to provide for her and the kids. Carmela is also a staunch Roman Catholic and has difficulty rationalizing
both her husband's profession and her subsequent separation (although her
priest all but recommended the separation in the first
place).
Carmela has a good, but distant relationship with her daughter, Meadow, who is now off at college, but she struggles
with raising their son, A.J., who is a rebellious
and uncontrollable teenager. Carmela also fights with Tony about A.J. because
Tony often spoils his son to make up for his lack of being around regularly.
During the fourth season, Carmela had a mutual romantic infatuation
with Furio Giunta, one of Tony's men.
Carmela had reached a low point with Tony's constant string of affairs and
the two had a romantically-tense but "arms-length" relationship. The two
both confided to separate friends that they were falling for each other but
Furio, fearing for his life for loving the boss's wife, sold his house and
moved back to Italy.
Anthony "Tony" Soprano is the fictional mafia boss of the DiMeo family in the HBO
TV series, The Sopranos, played by James Gandolfini.
Warning: Plot details follow.
Throughout the series, Tony Soprano has to juggle the ongoing needs
of both his personal family and his professional family. He has a strained
relationship with his wife, Carmela (whom, by the end of the fourth season,
he is estranged from) and has a very distant relationship with his two children,
Meadow and Anthony, Jr.
Coupled with this, Tony has to juggle New Jersey's most powerful criminal organization,
keeping it functioning properly and keeping dissonance to a minimum. Tony
is technically only the acting boss of the DiMeo family, keeping it operating
while his uncle Junior Soprano is under investigation
by the FBI. The relationship between Tony and Junior was very
close for many years, with Junior acting as a father figure for Tony following
the death of Giovanni (AKA Johnny Boy) Soprano, Tony's father. However,
the relationship was strained when a disgruntled Junior, becoming more and
more marginalized in the organization as the investigation into his activies
increased by the FBI, conspired with Tony's own mother, Livia Soprano, to have him killed (although the
hit failed).
Tony also suffers from panic attacks, a condition that both his father
and now son also suffer from. To deal with it, he takes medication and sees
a psychiatrist, Dr. Melfi. The relationship between Tony and
Dr. Melfi has been up-and-down, with Tony reaching a level of comfort with
Dr. Melfi that he has never experienced with anyone else before, not even
his wife. This closeness leads Tony to have something of a "crush" on Dr.
Melfi, something that is unattainable (as Dr. Melfi tries hard to suppress
her feelings for him). However, the "prying" from Dr. Melfi is uncomfortable
for Tony and he often turns sarcastic and antagonistic towards her, leading
to an ongoing strain in their relationship.
See also: List of characters
from the Sopranos
Most people report a fear of dying, "going crazy", or losing control
of emotions or behavior. The experiences generally provoke a strong urge
to escape or flee the place where the attack begins and, when associated
with chest pain or shortness of breath, frequently results in seeking aid
from a hospital emergency room or other type of urgent assistance.
The panic attack is distinguished from other forms of anxiety by its
intensity and its sudden, episodic nature. Panic attacks are not always indicative
of a mental disorder, and up to 10 percent of otherwise healthy people experience
an isolated panic attack per year (Barlow, 1988; Klerman et al., 1991).
Panic attacks are often experienced by sufferers
of anxiety disorders, agoraphobia and other psychological conditions involving
anxiety.
A phobic will often experience a panic attack as a direct
result of exposure to their trigger. These panic attacks are usually short-lived
and rapidly relieved once the trigger is escaped. In conditions of chronic
anxiety one panic attack can often roll into another one, leading to nervous
exhaustion over a period of days.
As described above, the symptoms of a panic attack appear suddenly,
without any apparent cause. They may include
- Racing or pounding heartbeat
- Chest pains
- Dizziness, lightheadedness, nausea
- Difficulty breathing
- Tingling or numbness in the hands
- Flushes or chills
- Dreamlike sensations or perceptual distortions
- Terror--a sense that something unimaginably horrible is about
to occur and one is powerless to prevent it
- Fear of losing control and doing something embarrassing
- Fear of dying
A panic attack typically lasts for several minutes and is one of
the most distressing conditions that a person can experience. Most who have
one attack will have others. When someone has repeated attacks, or feels
severe anxiety about having another attack, he or she is said to have panic
disorder.
Panic disorder is a serious health problem in the United States. At least 1.6 percent of adult Americans,
or 3 million people, will have panic disorder at some time in their lives.
The disorder is strikingly different from other types of anxiety in that
panic attacks are so sudden, appear to be unprovoked, and are often disabling.
Once someone has had a panic attack--for example while driving, shopping
in a crowded store, or riding in an elevator--he or she may develop irrational
fears, called phobias, about these situations and begin to avoid them. Eventually,
the pattern of avoidance and level of anxiety about another attack may reach
the point where the individual with panic disorder may be unable to drive
or even step out of the house. At this stage, the person is said to have
panic disorder with agoraphobia. Thus panic disorder can have as serious
an impact on a person's daily life as other major illnesses--unless the individual
receives effective treatment.
Yes, panic disorder is real and potentially disabling, but it can
be controlled with specific treatments. Because of the disturbing symptoms
that accompany panic disorder, it may be mistaken for heart disease or some
other life-threatening medical illness. People frequently go to hospital
emergency rooms when they are having a panic attack, and extensive medical
tests may be performed to rule out these other conditions.
Others often try to reassure the person who is having a panic attack
that he or she is not in great danger. Expressions such as "nothing serious,"
"all in your head," or "nothing to worry about" may give the incorrect impression
that there is no real problem and that treatment is not possible or necessary.
Thanks to research, there are a variety of treatments available,
including several effective medications, and also specific forms of psychotherapy.
Often, a combination of psychotherapy and medications produces good results.
Some improvement may be noticed in a fairly short period of time--about 6
to 8 weeks. Thus appropriate treatment of panic disorder can prevent panic
attacks or at least substantially reduce their severity and frequency--bringing
significant relief to 70 to 90 percent of people with panic disorder.
In addition, people with panic disorder may need treatment for other
emotional problems. Depression has often been associated with panic disorder,
as have alcohol and drug abuse. Recent research also suggests that suicide
attempts are more frequent in people with panic disorder. Fortunately, these
problems associated with panic disorder can be overcome effectively, just
like panic disorder itself.
Tragically, many people with panic disorder do not seek or receive
treatment. To encourage recognition and treatment of panic disorder, the U.S.
National Institute of Mental Health (NIMH) is sponsoring a major information
campaign to acquaint the public and health care professionals with this disorder.
NIMH is the agency of the U.S. government responsible for improving the mental
health of the American people by supporting research on the brain and mental
disorders and by increasing public understanding of these conditions and their
treatment.
Panic disorder tends to continue for months or years. It typically
begins in young adulthood, but the symptoms may arise earlier or later in
life. If left untreated, it may worsen to the point where the person's life
is seriously affected by panic attacks and by attempts to avoid or conceal
them. In fact, many people have had problems with friends and family or lost
jobs while struggling to cope with panic disorder. It does not usually go
away unless the person receives treatments designed specifically to help
people with panic disorder.
So, if you or someone you know has symptoms like those described in
this article, it is important to see a health care professional for a correct
diagnosis and proper treatment.
According to one theory of panic disorder, the body's normal "alarm
system" tends to be triggered unnecessarily. Scientists don't know exactly
why this happens. Panic disorder has been found to run in families, and this
may mean that inheritance (genes) plays a strong role in determining who
will get it. However, many people who have no family history of the disorder
develop it. Often the first attacks are triggered by physical illnesses,
a major life stress, or certain medications.
Panic disorder is characterized by un-expected and repeated episodes
of intense fear accompanied by physical symptoms that may include chest pain,
heart palpitations, shortness of breath, dizziness or abdominal distress.
These sensations often mimic symptoms of a heart attack or other life-threatening
medical conditions. As a result, the diagnosis of panic disorder is frequently
not made until extensive and costly medical procedures fail to provide a correct
diagnosis or relief.
Many people with panic disorder develop intense anxiety between episodes.
It is not unusual for a person with panic disorder to develop phobias about
places or situations where panic attacks have occurred, such as in supermarkets
or other everyday situations. As the frequency of panic attacks increases,
the person often begins to avoid situations where they fear another attack
may occur or where help would not be immediately available. This avoidance
may eventually develop into agoraphobia, an inability to go beyond known and
safe surroundings because of intense fear and anxiety.
Fortunately, through research supported by the U.S. National Institute
of Mental Health (NIMH) and by industry, effective treatments have been developed
to help people with panic disorder.
- About 1.7% of the adult U.S. population ages 18 to 54 - approximately
2.4 million Americans - has panic disorder in a given year.
- Women are twice as likely as men to develop panic disorder.
- Panic disorder typically strikes in young adulthood. Roughly half
of all people who have panic disorder develop the condition before age 24.
Heredity, other biological factors, stressful life events, and thinking
in a way that exaggerates relatively normal bodily reactions are all believed
to play a role in the onset of panic disorder. The exact cause or causes of
panic disorder are unknown and are the subject of intense scientific investigation.
Studies in animals and humans have focused on pinpointing the specific
brain areas and circuits involved in anxiety and fear, which underlie anxiety
disorders such as panic disorder. Fear, an emotion that evolved to deal with
danger, causes an automatic, rapid protective response that occurs without
the need for conscious thought. It has been found that the body's fear response
is coordinated by a small structure deep inside the brain, called the amygdala.
The amygdala, although relatively small, is a very complicated structure,
and recent research suggests that anxiety disorders may be associated with
abnormal activitation in the amygdala. One aim of research is to use such
basic scientific knowledge to develop new therapies.
Treatment for panic disorder includes medications and a type of psychotherapy
known as cognitive-behavioral therapy, which teaches people how to view panic
attacks differently and demonstrates ways to reduce anxiety. NIMH is conducting
a large-scale study to evaluate the effectiveness of combining these treatments.
Appropriate treatment by an experienced professional can reduce or prevent
panic attacks in 70% to 90% of people with panic disorder. Most patients show
significant progress after a few weeks of therapy. Relapses may occur, but
they can often be effectively treated just like the initial episode.
Research shows that panic disorder can coexist with other disorders,
most often depression and substance abuse. About 30% of people with panic
disorder abuse alcohol and 17% abuse drugs, such as cocaine and marijuana,
in unsuccessful attempts to alleviate the anguish and distress caused by their
condition. Appropriate diagnosis and treatment of other disorders such as
substance abuse or depression are important to successfully treat panic disorder.
A panic attack is a discrete period of intense fear or discomfort
that is associated with numerous somatic and cognitive symptoms (DSM-IV). These symptoms include palpitations, sweating,
trembling, shortness of breath, sensations of choking or smothering, chest
pain, nausea or gastrointestinal distress, dizziness or lightheadedness,
tingling sensations, and chills or blushing and “hot flashes.” The attack
typically has an abrupt onset, building to maximum intensity within 10 to
15 minutes. Most people report a fear of dying, “going crazy,” or losing
control of emotions or behavior. The experiences generally provoke a strong
urge to escape or flee the place where the attack begins and, when associated
with chest pain or shortness of breath, frequently results in seeking aid
from a hospital emergency room or other type of urgent assistance. Yet an
attack rarely lasts longer than 30 minutes. Current diagnostic practice specifies
that a panic attack must be characterized by at least four of the associated
somatic and cognitive symptoms described above. The panic attack is distinguished
from other forms of anxiety by its intensity and its sudden, episodic nature.
Panic attacks may be further characterized by the relationship between the
onset of the attack and the presence or absence of situational factors. For
example, a panic attack may be described as unexpected, situationally bound,
or situationally predisposed (usually, but not invariably occurring in a
particular situation). There are also attenuated or “limited symptom” forms
of panic attacks.
Panic attacks are not always indicative of a mental disorder, and
up to 10 percent of otherwise healthy people experience an isolated panic
attack per year (Barlow, 1988; Klerman et al., 1991). Panic attacks also are
not limited to panic disorder. They commonly occur in the course of social
phobia, generalized anxiety disorder, and major depressive disorder (DSM-IV).
Panic disorder is diagnosed when a person has experienced at least
two unexpected panic attacks and develops persistent concern or worry about
having further attacks or changes his or her behavior to avoid or minimize
such attacks. Whereas the number and severity of the attacks varies widely,
the concern and avoidance behavior are essential features. The diagnosis is
inapplicable when the attacks are presumed to be caused by a drug or medication
or a general medical disorder, such as hyperthyroidism.
Lifetime rates of panic disorder of 2 to 4 percent and 1-year rates
of about 2 percent are documented consistently in epidemiological studies
(Kessler et al., 1994; Weissman et al., 1997) (Table 4-1). Panic disorder
is frequently complicated by major depressive disorder (50 to 65 percent lifetime
comorbidity rates) and alcoholism and substance abuse disorders (20 to 30
percent comorbidity) (Keller & Hanks, 1994; Magee et al., 1996; Liebowitz,
1997). Panic disorder is also concomitantly diagnosed, or co-occurs, with
other specific anxiety disorders, including social phobia (up to 30 percent),
generalized anxiety disorder (up to 25 percent), specific phobia (up to 20
percent), and obsessive-compulsive disorder (up to 10 percent) (DSM-IV).
As discussed subsequently, approximately one-half of people with panic disorder
at some point develop such severe avoidance as to warrant a separate description,
panic disorder with agoraphobia.
Panic disorder is about twice as common among women as men (American
Psychiatric Association, 1998). Age of onset is most common between late adolescence
and midadult life, with onset relatively uncommon past age 50. There is developmental
continuity between the anxiety syndromes of youth, such as separation anxiety
disorder. Typically, an early age of onset of panic disorder carries greater
risks of comorbidity, chronicity, and impairment. Panic disorder is a familial
condition and can be distinguished from depressive disorders by family studies
(Rush et al., 1998).
Some text in this article is taken from the public domain NIMH web pages at http://www.pueblo.gsa.gov/cic_text/health/panic/panfly.htm
and http://www.nimh.nih.gov/anxiety/panicfacts.cfm
and the public domain Report of the Surgeon-General on Mental Health at http://www.surgeongeneral.gov/library/mentalhealth/chapter4/sec2.html
Corrado "Junior" Soprano, Jr. (often called "Uncle
Junior"), played by Dominic Chianese, is the mentor and part-time
father figure for mob boss Tony Soprano in the fictional HBO
TV series, The Sopranos.
Junior is actually Tony Soprano's uncle: Junior's younger brother
was Giovanni "Johnny Boy" Soprano, Tony's father. Both Junior and Johnny
Boy dropped out of high school to join the DiMeo crime family. Junior always
watched after Tony, but after Johnny Boy's death from lung cancer, Junior
became Tony's surrogate father. Junior acted as Tony's leader and mentor,
helping him rise through the ranks.
Upon the death of Jackie Aprile, Junior became boss of the family,
but Tony had to eventually step in to take over to quell dissension over Junior
taking charge. Junior technically retains authority over the family, but
poor health coupled with being under house arrest for federal racketeering charges have limited Junior's ability
to run anything. Resentful, Tony's own mother, Livia, tried to take advantage of both of their
grudges and have Junior rub out Tony. However, the hit failed and Tony used
the situation to cut Junior out of the loop in the family almost completely.
The two seem to have since buried the hatchet.
Carmela Soprano née DeAngelis
is the long-suffering wife of fictional mafia boss Tony Soprano on the HBO
TV series, The Sopranos, played by Edie Falco.
Warning: Plot details follow.
Carmela tries to maintain the Soprano household while Tony is out
working. At times, she seems like the typical wife of the mob boss: supportive
and friendly, even strong at times, never asking about the details of her
husband's work. However, the years of having a husband missing at all hours,
coupled with his constant infidelity have put a serious strain on their relationship.
By the end of the fourth season, the two were separated, although Tony was
continuing to provide for her and the kids. Carmela is also a staunch Roman Catholic and has difficulty rationalizing
both her husband's profession and her subsequent separation (although her
priest all but recommended the separation in the first
place).
Carmela has a good, but distant relationship with her daughter, Meadow, who is now off at college, but she struggles
with raising their son, A.J., who is a rebellious
and uncontrollable teenager. Carmela also fights with Tony about A.J. because
Tony often spoils his son to make up for his lack of being around regularly.
During the fourth season, Carmela had a mutual romantic infatuation
with Furio Giunta, one of Tony's men.
Carmela had reached a low point with Tony's constant string of affairs and
the two had a romantically-tense but "arms-length" relationship. The two
both confided to separate friends that they were falling for each other but
Furio, fearing for his life for loving the boss's wife, sold his house and
moved back to Italy.
See also: List of characters
from the Sopranos.
Silvio Dante (often just "Sil"),
played by Steven Van Zandt, is Tony Soprano's consigliere on the fictional HBO
TV series, The Sopranos.
Silvio operates the Bada Bing, the most recent in a string
of strip clubs that he has operated, which is also one
of the family's major meeting spots. Silvio is also one of the more level-headed
associates of Tony Soprano. Where many of Tony's men immediately become
hot-headed and resort to violence, Silvio generally helps to mediate many
situations. Because of this, Tony relies on Silvio to be a clear-headed
thinker, someone he can trust (thus his status as consigliere).
Silvio is also a strong father for his teenage daughter, Heather, whom,
along with his wife, Gabriella, he loves more than anything.
Christopher Moltisanti (sometimes called Chrissy),
played by Michael Imperioli, is one
of Tony Soprano's men on the HBO
TV series, The Sopranos.
Christopher is Tony's nephew and prodigy in their organization who
recently became a "made man." Tony has looked out for Christopher over the
years as he never had a father figure growing up. Christopher now acts as
Tony's lieutenant, issuing orders from Tony in order to protect Tony from
potential racketeering charges.
However, Christopher has his share of problems. He is often violent
and impulsive, frequently creating messes that he must extricate himself from.
He also had problems with his usage of heroin, eventually being forced into rehab by Tony, his
friends and his long-time girlfriend (and now fiancée), Adriana La Cerva.
Christopher also once tried his hand at screenwriting, but was eventually
reined back in by Tony.
See also: List of characters
from the Sopranos.
Stereotype
.
Originally a stereotype was an impression taken from
a form of movable lead type and used for printing instead of the original
type. This was generalized into a metaphor for repeating a set of ideas identically with
no changes (as would have been possible in a form of movable type).
In modern usage, the metaphorical meaning predominates. The term is
generally used to describe an oversimplified mental picture of some group
of people who are sharing a certain characteristic (or stereotypical)
qualities. The term is thus often used in a negative sense, with stereotypes
being seen by many as illogical yet deeply held-beliefs that can only be changed
through education.
Common stereotypes of the past included a variety of allegations
about various racial groups (see: racial stereotype and racial profiling) and predictions of behavior
based on social status and wealth (See social stereotype).
In literature and art, stereotypes are clichéd or predictable characters or situations.
For example, the stereotypical devil is a red, impish character with horns and a pitchfork.
- The "hard-boiled" or tough private eye
- The aging absent-minded professor (sometimes speaking incoherently)
- The ditzy busty blonde woman ("dumb blonde")
- The dowdy librarian (who becomes instantly attractive
when she takes her glasses off)
- The degenerate aristocrat with top hat, tuxedo, and monocle
- The snobbish butler (speaking with a British English or other European accent)
- The nerdy scientist (with black wiry-framed
glasses, black bowtie, white coat, speaking in technobabble)
- Similar: The short genius schoolkid, who wears glasses and
uniform ("geek" or "dork")
- The primly dressed schoolmarm with her pointer and "Now, class"
address
- The peg-legged pirate with an eye patch and parrot
- The overweight, doughnut-eating cop who believes skateboarding is a
crime
- The prostitute with a heart of gold
- The brightly colored court jester
- The villain with black clothes, waxed moustache
and generalized Central or Eastern European accent
- The jolly Middle Eastern or South Asian cornershop owner with his collection
of trinkets
- The picky chef with his toque and piquant French accent.
- The overdelivering game show host with his giant smile
- The confrontational gangster in his pinstripe suit from Armani or Versace, who hides his gun in a violin case
- The tobacco-spitting baseball player
- The effeminate homosexual male
- The butch lesbian
- The old lady who sits on the porch, reminiscing
and knitting.
- The drunken Indian.
- The drunken Irishman
- The wise and otherworldly African-American
who helps a white character in crisis
See also: archetype, stock character, counterstereotype (antonym), outgroup homogeneity
bias, negativity effect, trait ascription bias,
list
of common phrases based on stereotypes
Gender role
(Redirected from Effeminate)
A person's gender role is made
up of all of the things a person does to express their gender identity. It then becomes the set of
signals by which others infer that person's gender identity. For instance,
if someone identifies themselves as a girl or woman, then they will ordinarily
do the kind of things that will let other people know that they are a girl
or woman. And, if someone identifies themselves as a boy or man then they
will ordinarily do the kind of things that will let other people know that
they are a boy or man. A man who wants to attract girlfriends would rarely
if ever use his clothing, behavior, etc., to present himself in the guise
of a woman. Similarly, a woman would ordinary be ill-advised to seek a man
by presenting herself in the guise of a man. In most cases, when a man appears
in the guise of a woman, or a woman appears in the guise of a man, then most
people will agree that they are disguising themselves, that is, that they
are engaged in deliberately deceptive behavior. (Because many societies impose
expectations on the behavior of the members of society, and the expectations
are linked to the gender identities of those individuals, there are prescriptions
regarding gender roles, i.e., expectations that men and women will hold
different kinds of positions in society. Failure to comply with these expectations
can produce a wide range of sanctions.) It should be noted that some societies
are comparatively rigid in their expectations, and other societies are comparatively
permissive. Some of the gender signals that form part of a gender role and
indicate one's gender identity to others are quite obvious, and others are
so subtle that they are transmitted and received out of ordinary conscious
awareness.
Some elements of gender role are connected with body differences related to sex. For instance,
women's blouses make room for women's breasts and do not have pockets that
cover the nipples. Men's shirts, essentially the same garment, are flatter
and do have pockets over the nipples. Men frequently find it convenient to
urinate while standing, but women rarely do. Women frequently nurse infants.
Men have mammary glands but they only very rarely nurse infants because the
special hormonal states that produce lactation usually follow only from pregnancy.
See male_lactation
Another set of gender roles are related to body differences related
to sex, but the body differences are things like height and muscular strength
for which there is a substantial overlap of the abilities of men and women.
Some women are stronger than some men. Some women are larger and/or taller
than some men. But if you average the heights of all men and the heights of
all women, they won't be equal. If you are looking for the world champion
weight lifter, it is unlikely that it will be a woman.
In many societies, there is a strong tendency to exaggerate gender
role differences. Starting with the belief that men are generally stronger
than women, people conclude, somehow, that men should be stronger than women,
and that there is something inadequate about a man who is not very strong.
Starting with the belief that women are generally more gentle and nurturing
than men, people construct a socially supported ideal that says that women
should be gentle and nurturing and should not be harsh or aggressive. Many
societies jump from the observation that men are less likely to cry than are
women to the practice of indoctrinating boys, virtually from birth, not to
cry.
Some gender role differences are purely conventional. That is, they
work the way laws about which side of the street to drive on work. As long
as everyone in Great Britain drives on the left side of the road, and as long
as everyone in the United States drives on the right side of the road, there
will be no problem with head-on collisions. In most societies, men wear
trousers and women wear skirts. But in a traditional Malay community it is
an ordinary practice for men to wear sarongs. In the traditional society of
Scotland, men wore kilts. As long as the cultural context matches the choice
of clothing it would be unusual for any negative comment to arise in such
cases.
Gender role differences that are purely conventional are easier to
change than are those that have some link to the biology of individuals. One
consequence of social unrest during the Vietnam War era in the United States,
Great Britain, and many other countries, was that men began to let their
hair grow to a length that was previously considered appropriate only to
women. Somewhat later, in response to other social changes, many women began
to cut their hair to lengths previously considered appropriate only to men.
The practical consequences of these changes were not onerous.
It would, to the contrary, be rather more difficult to get men to
give up trousers that have a zipper that facilitates urinating while standing.
It would likewise be difficult to get women to wear tight-fitting fly fishermen's
vests made of nylon netting with a half-inch mesh. Such a garment, regardless
of how stylish it might be considered one fine year, would be too uncomfortable
for a woman to wear unless she first bound her breasts with some other fabric
to protect them from rubbing against the harsh netting and pocket contents
of the vest.
Biological factors sometimes have a strong impact on which occupations
are judged by a society to be appropriate for men, and which are judged appropriate
for women. There is no reason why a large woman could not successfully shoe
horses or deliver freight shipments from railway stations to the recipients'
homes. However, there are not even very many men who have the strength and
stamina to put shoes on an uncooperative Clydesdale draft horse.
Societies seem to frequently jump from a valid observation to a false conclusion
in cases such as these. A society may jump from the observation that only
a very few women would be physically suited to shoe a heavy draft horse to
the conclusion that no woman should be a farrier, or jump from the observation
that only a few women would be physically suited to serve as a fireman to
the conclusion that women should not be eligible to apply for those jobs.
In many other cases, the elements of convention or tradition seem
to play a dominant role in deciding which occupations fit in with which gender
roles. In the United States, physicians have traditionally been men, and the
few people who defied that expectation received a special job description:
"woman doctor." Similarly, we have special terms like "male nurse," "woman
lawyer," "lady barber," etc. But in China and the former Soviet Union countries,
medical doctors are predominantly women, and in Taiwan it is very common for
all of the barbers in a barber shop to be women.
As long as a person's external genitals are consistent with that person's
gender identity the gender role of a person is so much a matter of course
in a stable society that people rarely even think of it unless for whatever
reason an individual adopts a gender role that is inconsistent with his or
her gender identity. When that kind of thing happens, it is most often done
to deliberately provoke a sense of incongruity and a humorous reaction to
the attempts of a person of one sex trying to pass himself or herself off
as a member of another sex. People can find much entertainment in observing
the exaggerations or the failures to get nuances of an unfamiliar gender
role right.
It is not so entertaining, however, when the external genitalia of
a person, that person's gender identity, and/or that person's gender role
are not consistent. People naturally, but too easily, assume that if a person
has a penis, scrotum, etc., then that person is chromosomally male (i.e.,
that person has one X chromosome and one Y chromosome), and that the person,
in introspection, feels like a male. Mother nature is much more inventive
than is our language and system of traditional concepts. The person may have
a penis and scrotum, but may be a female (with XX chromosomal sexual identity)
with normal female sexual organs internally. When that person reaches puberty,
"his" breasts may enlarge to ordinary female proportions, and "he" may begin
to menstruate, passing menstrual blood through "his" penis. In addition, this
person may have always accepted a gender identity that is consistent with
"his" external genitalia or with "her" internal genitalia.
Just as there are individuals whose external genitalia make them falsely
appear to be male, there are also individuals whose external genitalia make
them falsely appear to be females. There are individuals whose genitalia are
intermediate in appearance between those of an ordinary male and those of
an ordinary female. An examination of their chromosomal sex and/or other tests
may be necessary to determine what these people really are. And there are
even individuals who have both male and female sexual organs in the same body.
When we consider these more unusual products of Mother Nature's inventiveness,
the simple picture that we saw in which there was a high degree of consistency
among external genitalia, gender identity, and gender role then dissolves
into a kind of jigsaw puzzle that is difficult to put together correctly.
The extra parts of this jigsaw puzzle fall into two closely related categories,
atypical gender identities
and atypical gender roles.
Such incidents are rare. For the vast majority of people their gender
is commensurate with their genitalia.
Language is a system of abstractions and frequently deals with idealized
cases. The more sharply masculine gender roles are distinguished from feminine
gender roles, the less likely it is that any individual human being will comply
perfectly with the requirements of that gender role. And besides that fact,
every individual in a society is likely to have his or her unique definition
of the "proper masculine gender role" and the "proper feminine gender role."
Any individual, then, might well be expected to be in compliance with the
gender role ideals held by some people and to fail to be in compliance with
the gender role ideals held by some other people. When, for instance, a boy
cries too readily for the tastes of some people, they will call the child
a "sissy" to indicate that in their view he is not a very ideal boy. There
are many such pejorative
role-related terms .
Sociologists and sexologists use the term gender roles to name
the behaviors and responsibilities prescribed for each gender by a society.
Ideas of appropriate behavior according to gender vary among cultures,
although some aspects receive more widespread attention than others. For example,
in most current and known historical cultures, martial combat has been seen
as mostly (or only) appropriate for men, while child-rearing has been seen
as mostly (or only) the domain of women.
Other aspects, however, may differ markedly with time and place.
In pre-industrial Europe, for example, the practice of
medicine (other than midwifery) was generally seen as a male prerogative.
However, in Russia health care was more often seen
as a feminine role. The results of these views can
be seen in modern society, where European medicine is most often practiced
by men, while the majority of Russian doctors are women.
In most times and places male human beings frequently urinate while
standing, and female human beings rarely urinate while standing. Similarly,
female human beings are normally the only ones to experience gestation.
Considerable debate exists as to whether gender roles are biologically
mandated, in the sense of the behavioral traits arising primarily from the
biology of sex; or culturally mandated, in the sense of behavioral traits arising from early socialization.
As with many such debates, most researchers believe that both factors influence
the development and propagation of gender roles. However, the relative influence
of each, and the specifics of how that influence operates, are still hotly
disputed.
In the early 20th century, western gender roles
were based around the idea of heteronormativity, and as such they were comparatively
fixed. People who transgressed gender roles, such as women with high-powered
jobs, frequently experienced often violent disapproval and discrimination.
Some examples of commonly seen gender role descriptions:
- A man enjoys sex, has a career, and has difficulty expressing
his emotions.
- A woman wears cosmetics, and wants to get married, start a family and be a housewife.
- An effeminate man, is a man who is more or less like a stereotypical
woman.
- A girl wears skirts and dresses, plays with dolls,
likes the colour pink, has long hair,
and wants to wear make-up.
- A tomboy is a girl who behaves like a
stereotypical boy.
- A boy wears rugged clothing, likes the colour blue,
plays with toy soldiers, participates in competitive team sports, enjoys
fighting, doesn't cry, and has short hair.
- A sissy is a boy who behaves like a stereotypical
girl.
After the sexual revolution, gay liberation, and feminism movements of the mid to late 20th century
(the 1960s in particular), new roles became available in Western
societies, and gender roles became rather more flexible. Narrowly defined
gender roles, such as those listed here, are generally recognised as stereotypes.
Other stereotypes:
- Man
- Head and breadwinner of the family
- Responsible for contacts outward
- Strong, rational, sexually active
- Men as "hunters"
- Woman
- Dependent on and subject to a male commander (father, husband
etc..)
- Responsible for the social connections within the family
- Weak, emotional and irrational, compensatorily sexually passive
or uninterested
- Woman "nests"
Butch and Femme
(Redirected from Butch)
Butch and femme
are terms often used in the lesbian and gay
subcultures to describe approximate equivalents of
traditional masculine and feminine gender roles, respectively, of members of the same
sex within a relationship, or to describe
individuals.
However, homosexual relationships do not easily fit into butch and
a femme stereotypes. For example, the term lipstick lesbian may refer to a feminine woman
who is attracted to other feminine women. Among homosexuals the practices
of 'femme on femme' and 'butch on butch' sex preferences are sometimes repressed
by cultural mores. Many gay men will only date other masculine men, though
others prefer femme men.
Some "butch" lesbians have exaggerated masculine traits: military dress or demeanor (short-cropped hair), deliberate
machismo, rudeness...
Among lesbians, the butch-femme pairing in relationships was more common
among lesbians of older generations. In Debra A. Wilson's documentary
The
Butch Mystique an older woman named Matu says that this was because
in the past a woman was in physical danger if she was obviously with another
woman in a romantic capacity, and butch women felt that being tough was necessary
to protect themselves and their female companions.
Many young people today eschew butch or femme classifications, believing
that they are inadequate to describe an individual, or that labels are limiting
in and of themselves. Some people within the queer community have tailored the common labels to be
more descriptive, such as "soft stud," "hard butch," "gym queen," or "tomboy
femme."
The site Straightacting.com
is an example of a humorous site where homosexual men and women may measure
and discuss their butch-ness or femme-ness. Interestingly, this site seems
to stereotype lesbians as always wanting a butch/femme relationship and gay
men as wanting a butch/butch or femme/femme relationship.
Carmine Lupertazzi, Sr., played by Tony Lip, is the capo di tutti capi
(boss of bosses) of the New York crime family in the fictional HBO
TV series, The Sopranos.
Warning: Plot details follow.
Carmine is the ultimate leader of the crime families in the New York
area. He's highly intelligent and an opportunist, even in his old age. He
had an ongoing rivalry of sorts with his underboss, Johnny Sack, who once tried to work with Tony Soprano to have him killed and, conversely,
Carmine almost put a hit out on Johnny Sack.
In recent years, however, Carmine's health began to fail and he suffered
a stroke. After some time in the hospital in a coma,
Lupertazzi died, leaving a power vacuum in the New York crime family. The
heir apparent for his position would be his son, Carmine Lupertazzi, Jr.,
a fact that is a point of consternation for Johnny Sack, who also seeks the
position Carmine left behind.
Livia Soprano, who was played by Nancy Marchand, was the mother of
Tony Soprano on the fictional HBO
TV series, The Sopranos.
Livia Soprano, the family matriarch was scheming, manipulative, canniving
and abusive. She derived little pleasure from life other than seemingly making
the people around her miserable, especially her two children, Tony and Janice. Nothing was sacred with Livia. She
even tried to manipulate Uncle Junior into putting out a hit on her own
son after he tried to put her in a nursing home.
Livia Soprano died along with her actress, Nancy Marchand, in 2000.
Herman "Hesh" Rabkin, played by Jerry Adler, is one of Tony Soprano's friends from the fictional HBO
TV series, The Sopranos.
Hesh is an important advisor to Tony Soprano, but, by virtue of being
Jewish, is not and cannot be a made man. Nevertheless,
Tony frequently seeks out Hesh's advice on a number of issues.
Hesh is a very intelligent man and a superb businessman, making a
fortune in the recording industry during the 1950s and 1960s by bringing many young black musicians to prominence.
Hesh also keeps a stable of horses.
Richie Aprile, played by David Proval, was one of the members
of the DiMeo crime family under Tony Soprano on the fictional HBO
TV series, The Sopranos.
Richie Aprile, brother of Jackie Aprile, was an up-and-coming member
of the DiMeo crime family before being sent to prison for ten years. He came
back to a very different family, however, with Tony Soprano in charge. Tony
and Richie had no love for each other at all (dating back to childhood) and
this was exacerbated by Richie's inability to submit to anyone's will. A
power struggle began and Richie was preparing to move on Tony, but Tony was
tipped off by his uncle Junior.
For a while, Richie and Janice Soprano, Tony's brother, were dating in
high school. When Richie got out of prison, he and Janice began to resume
their old relationship and were actually preparing to get married. However,
Richie was abusive to Janice and after one fight where Richie punched Janice,
Janice shot him twice, killing him. Tony then buried Richie's body and sent
Janice off to Seattle to lay low.
Johnny "Sack" Sacramoni (usually just Johnny
Sack), played by Vince Curatola, is the underboss
of the New York family in the fictional HBO
TV series, The Sopranos.
Johnny Sack is a smart captain in the New York family underneath
Carmine Lupertazzi and is
a friend and compatriot of Tony Soprano's. Although the New York and New Jersey families are technically rivals, relations
between the two families have been peaceful for some time. Johnny Sack works
to try and maintain the peace with the other families, insisting that peace
between the families means prosperity for all the families.
But while Johnny Sack usually maintains his cool, he is very sensitive
about his wife, Ginny, who has a problem with obesity. Johnny becomes violently angry when any remarks
are made about Ginny's weight problem. He once ordered a hit put on Ralph Cifaretto for making one such off-color
joke, although he was talked down from the action.
Furio Giunta, played by Federico Castelluccio,
was one of Tony Soprano's men on the fictional HBO
TV series, The Sopranos.
Furio was originally from Italy and the only one on Tony's crew who was. Tony requested
of Italian boss Zio Vittorio that Furio come to New Jersey to work for him
and Furio became one of Tony's collection agents.
Furio eventually began to fall in love with Tony's wife, Carmela, who also saw him as a dashing, respectful
man: Tony's polar opposite, but the two never truly became romantically-entwined.
For a time, however, there was significant tension between the two. On
the advice of Furio's uncle and faced with the possibility of being killed
by a vengeful Tony, Furio packed up, moved back to Italy and disappeared.
Tony apparently still has men looking for him, but no one has found him
since.
Ralph Cifaretto (sometimes Ralphie),
played by Joe Pantoliano, was one of Tony Soprano's captains on the fictional HBO
TV series, The Sopranos.
Ralph Cifaretto was an obnoxious, sarcastic and confrontational member
of Tony Soprano's crew. A very tempermental man with drug and sexual issues,
he once killed an exotic dancer carrying his child and became flippant about
it with Tony, which led to Tony striking Ralph, something that one made man
is not supposed to do to another. By way of apology, Tony promoted Ralph
to captain, something for which he had aspired for quite some time.
Ralph briefly pursued relationships with Rosalie Aprile, the widow
of the late Jackie Aprile and then Janice Soprano, although neither relationship
amounted to anything.
Ralph also purchased a race horse named "Pie-O-My" and worked with Tony to turn her
into a winning race horse. However, Ralph needed some money to help his
son who was injured, and Pie-O-My died in a suspicious stable fire. A very
angry Tony confronted Ralph about it. A confrontation ensued and Tony ended
up killing Ralph. Tony, with the help of Christopher then dismembered
and buried the body.
Pasquale "Patsy" Parisi, played by Dan Grimaldi, is one of Tony Soprano's men on the fictional HBO
TV series, The Sopranos.
Patsy Parisi works directly under Paulie Walnuts, performing various enforcement
tasks for the family. Patsy had an identical twin brother, Phil "Philly
Spoons" Parisi (whom Dan Grimaldi also played), who had a hit taken out on
him by Tony. Patsy took it very hard, drinking heavily and considering killing
Tony. However, he eventually put his grief behind him.
Patsy still has questionable loyalties, however. When Paulie was
in prison, Tony promoted Chris to interim captain
over Patsy (who had seniority). Patsy didn't take that real well, eventually
getting into a fight with Christopher, although the two have apparently put
aside their differences for now.
Robert "Bobby Bacala" Baccilieri, Jr., played by
Steve R. Schirripa, is one
of Tony Soprano's men on the fictional HBO
TV series, The Sopranos.
Bobby is much different from the other men in Tony Soprano's crew.
Bobby is quiet, almost shy, sweet and even-tempered. He is a big guy, which
brings him much ridicule, but he is very loyal and even Tony apologizes after
making cracks about his weight. Bobby operates Junior Soprano's loan shark business in his stead and
also acts as Junior's assistant while he is under house arrest for federal
racketeering charges.
Bobby was very loyal to his wife, Karen, and was the only made man
without a "goomar," a girl on the side. However, Bobby lost his wife in a
car accident and took it especially hard. Following Karen's death, Janice Soprano has been actively pursuing Bobby,
trying to help him out as much as possible (with cooking and watching over
Bobby's two children) but also to trying to initiate a relationship with
him.
Janice Soprano, played by Aida Turturro, is Tony Soprano's older sister on the fictional HBO
TV series, The Sopranos.
Janice is Tony's complete opposite. After graduating high school,
Janice wandered about, joining an ashram in Los Angeles, changing
her name to "Parvati Wasatch," traveling across Europe, marrying a French Canadian, working at an espresso bar in Seattle (and claiming disability
from operating the steamed milk machine) before finally moving back to New Jersey.
While in New Jersey, she became engaged to her old flame, Richie Aprile. However, he was violent towards
her and eventually Janice shot and killed Richie. After a time back in Seattle,
Janice again returned to New Jersey, hooking up first with Ralph Cifaretto and now trying to hook up with
widower Bobby Baccilieri.
Adriana La Cerva, played by Drea de Matteo, is the long-time girlfriend (now
fiancée) of Tony Soprano's right-hand man,
Christopher Moltisanti,
on the fictional HBO
TV series, The Sopranos.
Adriana seems like a shallow and worldly person, interested in the
things that Christopher's money can buy: expensive cars, jewelry, designer
clothing and furs. However, Adriana also acts intelligently at times and
always seems to seek what's best for Christopher. Nonetheless, Adriana is
also career-oriented and is currently set up as the manager of the Crazy Horse
club in Long Branch, a position
that Christopher installed her in.
However, the FBI has also been targeting Adriana as
a potential weakness in the family's organization. Upon the death of Sal "Big Pussy" Bonpensiero, the FBI looked
to Adriana as a close relation to a rising star in the crime family and sent
Special Agent Deborah Ciccerone to a mall to befriend Adriana. The tactic
actually backfired, but the FBI were still able to get enough on Adriana's
heroin problem to use as leverage. So far, Adriana has
not given up any serious information on the family and is doing her best
to avoid the Soprano family house in order to have nothing to give back to
the Feds.
Peter Paul Gualtieri (or Paulie Walnuts),
played by Tony Sirico, is one of Tony Soprano's men in the fictional HBO
TV series, The Sopranos.
Paulie grew up as a bad street kid. He spent time in and out of juvenile
correctional facilities until he became an enforcer for Johnny Boy Soprano,
Tony's father. He spent some brief time in the Army where he was eventually
drummed out through Section 8 (discharge because of psychiatric
reasons). Afterwards, he spent time in and out of prison. Eventually, he worked his way up through the
DiMeo crime family, reaching captain under Tony.
Paulie has an extremely violent temperament and is very quick to fly
off the handle for anything. He's also incredibly paranoid and constantly
trying to "play the field." During a brief time in jail, he communicated
with Johnny Sack, an underboss of the New York family, trying to switch allegiances, right
under Tony's nose.
The only person Paulie has a true love for is his mother, whom he
watches over constantly.
Christopher Moltisanti (sometimes called Chrissy),
played by Michael Imperioli, is one
of Tony Soprano's men on the HBO
TV series, The Sopranos.
Christopher is Tony's nephew and prodigy in their organization who
recently became a "made man." Tony has looked out for Christopher over the
years as he never had a father figure growing up. Christopher now acts as
Tony's lieutenant, issuing orders from Tony in order to protect Tony from
potential racketeering charges.
However, Christopher has his share of problems. He is often violent
and impulsive, frequently creating messes that he must extricate himself from.
He also had problems with his usage of heroin, eventually being forced into rehab by Tony, his
friends and his long-time girlfriend (and now fiancée), Adriana La Cerva.
Christopher also once tried his hand at screenwriting, but was eventually
reined back in by Tony.
Meadow Mariangela Soprano is the daughter of mob
boss Tony Soprano in the fictional HBO
TV series, The Sopranos and is played by Jamie-Lynn DiScala.
Meadow is the first-born child of Tony and Carmela and is a very smart, attractive and
spirited college student attending Columbia University. She
does well in her classes and volunteers regularly at the South Bronx Law Center, helping to provide legal assistance
to people.
On the other hand, Meadow is often resentful of her lineage, stemming
from a string of failed relationships, first with a fellow student of mixed
race, whom her parents strongly disapproved of and then Jackie Aprile, Jr.,
the son of Tony's deceased friend, Jackie Aprile, who died when a hit was
put out on him. However, Jackie Junior was no saint, first by cheating on
Meadow and then by shooting a made man during a botched robbery, which is
why the hit was put on him in the first place. But that didn't stop Meadow
from being distressed over his death, ultimately blaming Tony for being involved
with the mob at all and Carmela for standing by and supporting him.
Meadow has a decent relationship with her brother, A.J., however. She loves
him and although she mostly considers him a screw-up, she always tries to
help him out when she can.
Anthony Soprano, Jr. (usually just called "A.J."),
played by Robert Iler, is the son of mob
boss Tony Soprano on the HBO
TV series, The Sopranos.
Despite being the son and namesake of Tony Soprano, A.J. is really
just a constant source of teenage grief for him and Carmela. He is a very poor student, crashed
Carmela's car, was caught smoking marijuana at his own confirmation, stole communion wine and got drunk off of it and was almost
sent to military school, until it was discovered that A.J. suffers from the
same panic attacks that plagued his
father and grandfather.
Unfortunately, Tony and Carmela simply can't figure out what to do
with A.J. Tony has no desire to groom him into a position within his organization
and his lousy schooling leaves him very little in the way of potential post-high-school
opportunities. This coupled with his borderline ADD and his parents'
separation has further exacerbated A.J.'s near-constant rebellion.
Dr. Jennifer Melfi, played by Lorraine Bracco, is the psychiatrist of fictional mob boss Tony Soprano on the HBO
TV series, The Sopranos.
Dr. Melfi is probably the closest person to truly understanding Tony
Soprano. Over the years, Tony has been able to confide in Dr. Melfi many
things that he has told no one else, not his associates and certainly not
his wife, Carmela. However, Dr. Melfi
and Tony have an unusual, off-again-on-again relationship. Tony inwardly
fears the prying into his life that Dr. Melfi does during their sessions,
but he also fears the results from not dealing with the problem. As a result,
she watches Tony go through frequent mood swings during their time together,
sometimes acting playful, other times violent; sometimes acting responsive,
other times being cold and distant.
For her part, Dr. Melfi has tried hard to help Tony as much as possible,
half chalking it up to some sort of visceral thrill of helping a gangster
but also trying to resist the idea that she has romantic thoughts about the
man and keep their relationship professional. However, while she has so far
resisted Tony's constant advances, which Dr. Melfi is both attracted to and
repelled by at the same time, Tony no longer wishes for their relationship
to remain strictly professional. Tony seems to see Dr. Melfi as the one object
that he is unable to truly have and, while continuing to pursue her, also
resents her for it.
Some time ago, Dr. Melfi was also brutally raped in a parking garage
and after the rapist was freed on a technicality, she has had to resist the
very strong desire to have Tony rub the attacker out. To deal with this,
Dr. Melfi also sees a psychiatrist of her own as well, Dr. Elliot Kupferberg.