Sublime (philosophy)

The sublime (from the Latin sublimis (exalted)), refers in aesthetics to the quality of transcendent greatness, whether physical, moral, intellectual or artistic. The term especially references a greatness with which nothing else can be compared and which is beyond all possibility of calculation or measurement.

The first study of the value of the sublime is the treatise ascribed to Longinus (literature): On the Sublime. Edmund Burke and Immanuel Kant both investigated the subject (compare Burke’s Essay on the Sublime and Beautiful, 1756) and both distinguished the sublime from the beautiful. Later writers tend to include the sublime in the beautiful.

The Romantics were essentially preoccupied by the sublime and especially by the sublime in Nature.

It is a frequently exploited theme in the paintings of John Constable and William Turner, who tried to reach and grasp the essence of the sublime through experimentation.

Edmund Burke

Edmund Burke
Edmund Burke

Edmund Burke (January 12, 1729 - July 9, 1797) was an Irish philosopher, Whig politician and statesman, remembered principally for his criticism of the French Revolution and his discussion of "the sublime". He was a founder of the Annual Register and is regarded as the "father" of modern conservatism.

Respected as a magnificent orator throughout his 30 year parlimentary career, Burke was often, perhaps unfairly, accused of inconsistency. He defended the English Revolution of 1688, and the American Revolution, yet he attacked the French Revolution bitterly. He was infuriated at the notion that Britain should learn from the French experience and allow all citizens the vote, and argued that traditonal ruling practices in general and the monarchy in particular were essential elements of a stable, ordered society. Burke pitted the chaotic, uncontrollable changes of the French Revolution against (as he saw it) the British tradition of order and liberty. To Burke, the moral claim of the revolution to be in defence of the natural "rights of man" was a nonsense: although the British parliament depended on the approval of the British people for its authority to rule, this did not mean that citizens had the right to choose their rulers.

Burke was a ruthless critic, however, of the excesses of established government: he campaigned against the persecution of Catholics in Ireland, denounced the East India Company and had the governor-general of Bengal impeached, and even expressed sympathy for the American Revolution. For Burke, there was no inconsistency in these views: it was the duty of citizens to submit to traditional authority, but it was equally the duty of rulers to act wisely and fairly. His strong criticism of the excesses of British rule in Ireland, India and America was not motivated by any wish to support the notion of natural rights; on the contrary, he argued, it was simple pragmatism: by ruling in a way that was manifestly unfair and exploitative, traditional authorities risked formenting the worst of all possible outcomes, popular revolution.

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Speeches

Burke made several famous speeches while serving in the British House of Commons.

  • On Conciliation with the Colonies (http://ibiblio.org/gutenberg/etext04/burke10.txt) : "The proposition is peace. Not peace through the medium of war; not peace to be hunted through the labyrinth of intricate and endless negotiations; not peace to arise out of universal discord fomented, from principle, in all parts of the Empire, not peace to depend on the juridical determination of perplexing questions, or the precise marking the shadowy boundaries of a complex government. It is simple peace; sought in its natural course, and in its ordinary haunts. It is peace sought in the spirit of peace, and laid in principles purely pacific . . ."

Writings by Burke

Notable Quotes

  • It was Burke who first referred to the "great unwashed masses of humanity".

Oddly, the quotation most often attributed to Burke ("The only thing necessary for the triumph of evil is for good men to do nothing") may not actually be from his writings. Its source is unknown. [1] (http://www.tartarus.org/~martin/essays/burkequote.html)

See Also

External link

References


Gothic novel

The Gothic novel is a English literary genre, which can be said to have been born with The Castle of Otranto (1764) by Horace Walpole. It is the predecessor to modern horror fiction and it above all has led to the common definition of Gothic as being connected to the dark and horrific.

Prominent features of gothic novels included terror, mystery, the supernatural, doom, decay, old buildings with ghosts in them, madness, hereditary curses and so on.

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The Classic Period of the Gothic Novel

From the renaissance period the term gothic was a word of contempt, meaning barbaric and ugly. Renaissance writers who idolised the classical period and its architecture thus catalogued all the products of the middle ages as the legacy of the barbarian invasion of Rome and scornfully called them gothic.

Horace Walpole was obsessed with fake medieval gothic architecture and built his own house Strawberry Hill in that form, sparking off the gothic revival; thus the two movements were connected at birth. By the mid eighteenth century the cult of sensibility was taking root; the current obsession with the purity of form of the neoClassical and its association with reason gave birth to a reaction in the form of appreciation of the joys of extreme emotion and the sublime. The ruins of gothic buildings gave rise to these emotions by indicating the inevitable decay and collapse of human creations, thus the craze for building fake ruined churches on English country estates as part of landscape architecture. These feelings were also connected to the anti-catholicism created by the Reformation. Good Protestants were supposed to associate medieval buildings with a dark and terrifying period, envisioning the Catholic Church oppressing people with harsh laws, torture and superstitious rituals. It was terrifying but yet at the same time for antiquarians like Walpole fascinating.

Walpole's novel arose out of this obsession with the medieval. Here rather than a fake building he originally claimed it was a real medieval romance he had discovered and republished. Thus was born the gothic novel's association with fake documentation to increase its effect. The Castle of Otranto was originally titled a Romance a literary form which was held by educated taste to be tawdry and not even fit for children due to its superstitious elements, but Walpole revived some of the elements of the medieval romance in a new form. The basic plot created many other the gothic staples including a threatening mystery and an ancestral curse. It was however Ann Radcliffe who created the gothic novel in its standard form. Radcliffe introduced the brooding figure of the gothic villain, which developed into the Byronic hero. Unlike Walpole's, her novels were best-sellers and virtually everyone in English society was reading them. Radcliffe created a craze and had many imitators; the results were parodied in Jane Austen's Northanger Abbey by setting up the atmosphere of doom and sweeping it away with hearty common sense and normalcy. Mary Shelley's Frankenstein 1818 is undoubtedly the greatest literary triumph of the Gothic novel in this its classical period.

The Legacy and later developments

In England, the Gothic novel as a genre had largely played itself out by 1840. However it had a lasting effect on the development of literary form in the Victorian period. It lead to the Victorian craze for short ghost stories and the short shocking macabre tale mastered by Edgar Allan Poe. It also was a heavy influence on Charles Dickens who read gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, but shifting them to a more modern period.

By the 1880s it was time for revival as a gothic as a semi-respectable literary form. This was the period of the gothic works of Robert Louis Stevenson, Arthur Machen and Oscar Wilde, and the most famous gothic villain ever appeared in Bram Stoker’s Dracula 1897. From these, the Gothic genre strictly considered gave way to modern horror fiction though many literary critics use the term to cover the entire genre.

Examples

See also

Southern Gothic

External link

The Gothic Literature Page

Dandy

A dandy is a man who devotes particular attention to his physical appearance. The practice of dandyism was a cultural habit that began in France in the eighteenth century, and spread to England in the nineteenth century, during which England returned it to France.

There haven't been any "men's fashions" worthy of the name since Louie the Sixteenth got the axe.
-- Steve Gustafson

The word "dandy" appears in the English language in about 1780; its origin is unknown. Dandies become much more common in British society during the Regency period, during which the most famous dandy of them all, Beau Brummell, was an associate of Prince (and King) George IV; he was an early celebrity, famous chiefly for being a clothes-horse. Brummell inherited a fortune of thirty thousand pounds, which he spent mostly on costume and high living, until he suffered the typical fate of the dandy, and fled from his creditors to France, and ultimately died in a lunatic asylum.

Image:dandies.jpg

During his heyday, though, Brummell's dicta on fashion and etiquette reigned supreme. After his death in 1840, Brummell's habits of dress and fashion were much imitated, especially in France where, in an unusual mixture, they became especially the rage in bohemian quarters. People of more notable accomplishments than Brummell adopted the pose as well; Lord Byron occasionally dressed the part of the fop, and helped reintroduce the frilly, lace-cuffed and collared "poet shirt," which was in danger of becoming old-fashioned during the period of his career.

In France the practice was known by the English word, as dandyisme. The poet Charles Baudelaire wrote that an aspiring dandy must have "no profession other than elegance. . . no other status but that of cultivating the idea of beauty in their own persons. . . . The dandy must aspire to be sublime without interruption; he must live and sleep before a mirror." Jules Amédée Barbey d'Aurevilly wrote an essay on The Anatomy of Dandyism, which was devoted in large measure to examining the career of Beau Brummell. By their elaborate care as to their costume, French bohemian dandies, like their less well dressed bohemian brethren, sought to convey their contempt for and superiority to bourgeois society by their dress and way of life. It is little wonder that the French dandies acquired a reputation for decadence. Their fancy-dress bohemianism became a major influence on the Symbolist movement in French literature during the latter part of the nineteenth century.

See also


The Dandy is a British children's comic book.


Dandy describes a mood, as in "I'm feeling just dandy today!". The word "peachy" might also be used instead as well, either one is considered colloquial.



Immanuel Kant

Immanuel Kant
Immanuel Kant

Immanuel Kant (April 22, 1724February 12, 1804) was a Prussian philosopher, generally regarded as the last major philosopher of the Enlightenment period, having a major impact on the Romantic and Idealist philosophies of the 19th Century, and as one of history's most influential thinkers.

Kant is most famous for his view—called transcendental idealism—that we bring innate forms and concepts to the raw experience of the world, which otherwise would be completely unknowable. Kant's philosophy of nature and human nature was both immediately controversial and very durable in its influence. Kant provided both a summation of many of the currents of his own time, and a challenge for philosophy in the future to connect rational with empirical and moral philosophy.

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Life

Kant was born, lived and died in Königsberg (at the time a town in Prussia; today it is the Russian town of Kaliningrad). He spent much of his youth as a solid, albeit unspectacular, student living more off playing pool than his writings. He lived a very regulated life: the walk he took at three-thirty every afternoon was so punctual that local housewives would set their clocks by him. He never married and he owned only one piece of art in his household, advocating the absence of passion in favor of logic so that he may better serve. He never left Prussia, and rarely stepped outside his own home town. However, despite his reputation of being a solitary man, he was considered a very sociable person: he would regularly have guests over for dinner, insisting that sociable company was good for his constitution, as was laughter. Kant was a respected and competent university professor for most of his life, although he was in his late fifties before he did anything that would bring him historical repute.

He entered the local university in 1740, and studied the philosophy of Leibniz and Christian Wolff under Martin Knutsen, a follower of Wolff. He also studied the then new mathematics of Sir Isaac Newton. In 1746 he wrote a paper on measurement, reflecting Leibniz's influence. He, at the same time, absorbed pietism as a basic part of his make up. Different scholars hold different views on the importance of each of these aspects, for Paul Guyer, and many others, it is rationalism which is the most important element - in this view Kant is seen as a philosopher, like many others, trying to replace Wolffian rationalism with an empiricism drawn from Hume and others.

In 1755 he became a private lecturer at the University, and while there published "Inquiry into the Distinctness of the Principles of Natural Theology and Morals", where he examined the problem of having a logical system of philosophy that connected with the world of natural philosophy, a concern typical of The Enlightenment period, indeed, Kant left one of the most influential definitions of Aufklärung, or enlightenment, in philosophy. In 1763 he wrote The Only Possible Ground of Proof for a Demonstration of God's Existence, which questioned the Anslemic ontological argument for God: essentially, that the idea of the greatest of all possible ideas proves that the idea exists. René Descartes had used this argument in his philosophy, as had others after him.

Having questioned both the principle of contradiction - that the seeming opposite of a false idea must be true - and the ontological proof of God - Kant had attacked the fundamental tools of axiomic rational philosophy, but, as yet, he had nothing to replace them with.

He was of the rather curious conviction that a person did not have a firm direction in life until their thirty-ninth year; when this came and passed and he was just a minor metaphysician in a Prussian University a brief mid-life crisis ensued; perhaps it can be credited with some of his later direction. In 1770, he became a full professor, and began reading the works of David Hume. Hume was fiercely empirical, scorned all metaphysics, and systematically debunked great quantities of it. His most famous thesis is that nothing in our experience can justify our assuming that there are "causal powers" inherent in things—that, for example, when one billiard ball strikes another, how can we assume the second one "must" move. Of course, things have always happened this way, and through "custom and habit" we tend to assume they will continue to do so, even though we have no rational grounds for the assumption. He simultaneously found Hume's argument irrefutable and his conclusions unacceptable.

"It was this that roused me from my slumber", he would later write. For the next 10 years he worked on the architecture of his own philosophy, beginning with what he called "the scandal of reality", that there was no philosophical proof of the outside world. During this period he published nothing, and then, in 1781, he released the massive Critique of Pure Reason, one of the most widely argued over, widely cited - and widely influential works in Western Philosophy. He followed this with Groundwork of the Metaphysics of Morals, and then in 1785 Critique of Practical Reason and in 1790, Critique of Judgement. The effect was immediate in the German speaking world, with readership including Ludwig van Beethoven and Johann Wolfgang von Goethe. But the attention was far from universally approving: on the contrary, almost every aspect of the works were attacked and criticized fiercely, particularly his ideas on categories, the place of free will and determinism and particularly on the knowledge of the outside world. His early critics included Johann Schaumann, Friedrich Hienrich Jacobi and Hermann Pistorius. Pistorius' criticisms were particularly influential and are still cited in contra-Kantian arguments.

The Critique of Practical Reason dealt with morality, or action, in the same way that the first Critique dealt with knowledge, and the Critique of Judgement dealt with the various uses of our mental powers that neither confer factual knowledge nor determine us to action, such as aesthetic judgment, for example of the beautiful and sublime, and teleological judgment , that is construing things as having "purposes".

As Kant understood them, aesthetic and teleological judgment connected our moral and empirical judgments to one another, unifying his system.

Two shorter works, the Prolegomena to any Future Metaphysics and the Groundwork to the Metaphysics of Morals treated the same matter as the first and second critiques respectively, in a more cursory form—assuming the answer and working backward, so to speak. They serve as his introductions to the critical system. The epistemological material of the first Critique was put into application in the Metaphysical Foundations of Natural Science; the ethical dictums of the second were put into practice in Metaphysics of Morals.

Aside from this Kant wrote a number of semi-popular essays on history, politics, and the application of philosophy to life. When he died he was working on a projected "fourth critique", having come to the conviction that his system was incomplete; this incomplete manuscript has been published as Opus Postumum. Kant died in 1804.

Kant's philosophy in general

Though he adopted the idea of a critical philosophy, the primary purpose of which was to "critique" or come to grips with the limitations of our mental capacities, Kant was one of the greatest of system builders, pursuing the idea of the critique through studies of metaphysics, ethics, and aesthetics.

One famous citation, "the starry heavens above me and the moral law within me", sums up his efforts: he wanted to explain in one systematic theory, those two areas or realms. Isaac Newton had developed a theory of physics that Kant wanted to build his philosophy upon. This theory involved the assumption of natural forces that humans cannot sense, but are used to explain movement of physical bodies.

His interest in science also led him to propose in 1755 that the solar system was created out of a gas cloud in which objects condensed due to gravity. This hypothesis is widely regarded as the first modern theory of solar system formation and is the ancestor to current theories of stellar formation.

Kant's metaphysics and epistemology

Kant's most widely read and most influential book is Critique of Pure Reason [1] (http://eserver.org/philosophy/kant/critique-of-pure-reason.txt) (1781) - his attempt to work past what he saw as the unacceptable conclusions of David Hume.

Hume's conclusions, Kant realized, rested on the premise that knowledge is empirical at its root. The problem that Hume identified was that basic principles like cause and effect cannot be empirically derived. Kant's goal, then, was to find some way to derive cause and effect without relying on empirical knowledge. Kant rejects analytical methods for this, arguing that analytic reasoning can't tell you anything that isn't already self-evident. Instead, Kant argued that we would need to use synthetic reasoning. But this posed a new problem - how can one have synthetic knowledge that is not based on empirical observation - that is, how can we have synthetic a priori truths.

Kant did not have any trouble showing that we do have synthetic a priori truths. After all, he reasoned, geometry and Newtonian physics are synthetic a priori knowledges and are fundamentally true. The issue was showing how one could ground synthetic a priori knowledge for a study of metaphysics. This led to his most influential contribution to metaphysics - the abandonment of the quest to try to know the world in itself, instead acknowledging that there is no way to determine whether something is experienced the way it is because that's the way it is, or because the faculties we have with which to perceive and experience are constructed such that we experience it in a given way. He demonstrated this with a thought experiment, showing that we cannot meaningfully conceive of an object that exists outside of time and has no spatial components. Although we cannot conceive of such an object, Kant argues, there is no way of showing that such an object does not exist. Therefore, Kant says, metaphysics must not try to talk about what exists, but instead about what is perceived, and how it is perceived.

This insight allows Kant to set up a distinction between phenomena and noumena - phenomena being that which can be experienced, and noumena being things that are beyond the possibility of experience - things in themselves. Kant then discussed and expanded on the faculties of experience we have, and thus was able to come up with a system of metaphysics that applied to the world as we perceive it.

Kant termed his critical philosophy "transcendental idealism." While the exact interpretation of this phrase is contentious, one way to start to understand it is through Kant's comparison in the second preface to the "Critique of Pure Reason" of his critical philosophy to Copernicus' revolution in astronomy. Kant writes: "Hitherto it has been assumed that all our knowledge must conform to objects. But all attempts to extend our knowledge of objects by establishing something in regard to them a priori, by means of concepts, have, on this assumption, ended in failure. We must therefore make trial whether we may not have more success in the tasks of metaphysics, if we suppose that objects must conform to our knowledge" [Bxvi]. Just as Copernicus revolutionized astronomy by changing the point of view, Kant's critical philosophy asks what the a priori conditions for our knowledge of objects in the world might be. Transcendental idealism describes this method of seeking the conditions of the possibility of our knowledge of the world.

Kant's "transcendental idealism" should be distinguished from idealistic systems such as Berkeley's. While Kant claimed that phenomena depend upon the conditions of sensibility, space and time, this thesis is not equivalent to mind-dependence in the sense of Berkeley's idealism. For Berkeley, something is an object only if it can be perceived. For Kant, on the other hand, perception does not provide the criterion for the existence of objects. Rather, the conditions of sensibility - space and time - provide the "epistemic conditions", to borrow a phrase from Henry Allison, required for us to know objects in the phenomenal world.

Kant had wanted to discuss metaphysical systems but discovered "the scandal of philosophy"—you cannot decide what the proper terms for a metaphysical system are until you have defined the field, and you cannot define the field until you have defined the limit of the field of physics first. 'Physics' in this sense means, roughly, the discussion of the perceptible world.

Kant's moral philosophy (Kantianism)

Kant develops his moral philosophy in three works: Fundamental Principles of the Metaphysic of Morals [2] (http://eserver.org/philosophy/kant/metaphys-of-morals.txt) (1785), Critique of Practical Reason [3] (http://eserver.org/philosophy/kant/critique-of-practical-reaso.txt) (1788) and Metaphysics of Morals [4] (http://eserver.org/philosophy/kant/intro-to-metaphys-of-morals.txt) (1798).

Under this heading Kant is probably best known for his theory about a single, general moral obligation that explains all other moral obligations we have: the Categorical Imperative.

A categorical imperative, generally speaking, is an unconditional obligation, or an obligation that we have regardless of our will or desires (contrast with hypothetical imperative).

Our moral duties can be derived from the categorical imperative. The categorical imperative can be formulated in three ways, which he believed to be roughly equivalent (although many commentators do not):

  • The first formulation (the Formula of Universal Law) says: "act only in accordance with that maxim through which you can at the same time will that it become a universal law."
  • The second formulation (the Formula of Humanity) says: "Act that you use humanity, whether in your own person or in the person of any other, always at the same time as an end, never merely as a means."
  • The third formulation (the Formula of Autonomy) is a synthesis of the previous two. It says that we should so act that we may think of ourselves as legislating universal laws through our maxims. We may think of ourselves as such autonomous legislators only insofar as we follow our own laws.

Example of the first formulation: If I breathe air, and I can will it so that everyone breathes air, we can see that breathing air is a moral obligation.

Example of the second formulation: If I steal a book from you, I am treating you as a means (to get a book) only. If I ask to have your book, I am respecting your humanity (or ability of rational thought).

The theory that we have universal duties, which hold despite one's own inclinations or the desire to pursue one's own happiness instead of these duties, is known as deontological ethics. Kant is often cited as the most important source of this strand of ethical theory (in particular, of the theory of conduct, also known as the theory of obligation).

Kant's moral philosophy has come under some criticism as his lectures on anthropology have become further studied. A small minority of critics have argued that statements such as "All races will be exterminated except for that of the Whites" and that Africans are born for slavery (Reflexionen, 878) indicate that he does not consider non-whites to be persons in any meaningful ethical sense. This interpretation is by no means dominant, and the most accepted interpretation is that these lectures represent prejudices rather than serious philosophical thought.

Further reading

The amount of literature on Kant is ever-growing. Often, the best places to start are the introductions of his translated works. Modern translations usually suggest a variety of secondary literature, the purpose of which is both to explain and to interpret Kant's philosophy. For an example, see Christine Korsgaard's introduction to Mary Gregor's translation of the Groundwork, which not only provides a concise overview of Kant's moral philosophy, but also places his ethics within the framework of the larger critical system. Kant wrote for an audience that was familiar with medieval philosophy and the philosophy of Leibniz. The reader of today who happens not to be familiar with these parts of the philosophical tradition can be greatly hampered by lacking an adequate knowledge of technical vocabulary and historical context. A very valuable key, in this regard, is Kant's Metaphysics and Theory of Science by Gottfried Martin. The English translation was published by the University of Manchester, University Press, 1955.

One of the best pieces of secondary literature on Kant's moral philosophy is a work by Korsgaard called Creating the Kingdom of Ends. In this collection of essays, Korsgaard attempts to organize Kant's ethics into a coherent interpretation that may respond adequately to the modern defenders of ethical systems contrary with Kant's, such as Aristotle's, Hume's, and Hegel's.

Another good starting point of investigation is John Rawls' book of published lecture notes, titled Lectures on the History of Moral Philosophy. The work is particularly useful in its investigation of Kant's moral philosophy within the vicissitudes of ethical systems from Hume to Leibniz to Hegel. Two other important scholars of Kant are Henry Allison and Onora O'Neill. Both authors have written books about Kant's moral philosophy.

For an introductory account to many aspects of Kant's theoretical and practical philosophy, see The Cambridge Companion to Kant, ed. Paul Guyer. Henry Allison's book, Kant's Transcendental Idealism, provides a thorough and sympathetic account of Kant's theoretical philosophy, arguing for the centrality of "transcendental idealism" for understanding Kant. Beatrice Longuenesse's Kant and the Capacity to Judge, provides a careful, well-argued, though difficult, argument for the importance of the metaphysical deduction of the categories as well as reinterpretations of many of the central doctrines of the first Critique.

Kant's ideas have achieved some prominence in applied ethics. For example, Norman Bowie's book, Business Ethics: A Kantian Perspective, focuses on the requirement for social cooperation in a business, in which people, conceived collectively, are to be treated as a "kingdom of ends." Another example is to be found in Michael E. Berumen's book, Do No Evil: Ethics with Applications to Economic Theory and Business, which adopts a Kantian approach to making exceptions to basic moral rules, and also offers several practical examples of how ethical problems in business might be solved using Kantian analysis.

German texts on the Internet

(Kant himself)

(More at Project Gutenberg (http://gutenberg.spiegel.de/autoren/kant.htm))

English translations

Other external links

Works

References

  • Immanuel Kant (1902) Reflexionen zur anthropologie. In Gesammelte Schriften., volume XV, pages 55-899. Hrsg. von der Koeniglich-Preussischen Akademie der Wissenschaften zu Berlin, Berlin, 1902-
  • Brigitte Sassen (2000), ed., Kant's Early Critics: The Empiricist Critique of the Theoretical Philosophy




This text is part of the Liberalism series (IV): Liberal thinkers

Liberalism - Liberalism in countries - Liberal parties - Liberal International
Liberal leaders - Timeline of liberal parties - Liberal thinkers - Liberal leaders - Liberal bibliography

These thinkers had an important influence on the development of liberal thinking:
Baruch Spinoza | John Locke | Voltaire | Benjamin Franklin | David Hume | Jean-Jacques Rousseau | Denis Diderot | Adam Smith | Charles de Montesquieu | Immanuel Kant | Anders Chydenius | August Ludwig Schloezer | Thomas Paine | Thomas Jefferson | Marquis de Condorcet | Jeremy Bentham | Benjamin Constant | Wilhelm von Humboldt | David Ricardo | James Mill | Johan Rudolf Thorbecke | Frédéric Bastiat | Alexis de Tocqueville | John Stuart Mill | Herbert Spencer | Thomas Hill Green | Ludwig Joseph Brentano | Tomáš Garrigue Masaryk | Émile Durkheim | John Dewey | Friedrich Naumann | Max Weber | Leonard Trelawny Hobhouse | Benedetto Croce | Walther Rathenau | William Beveridge | Ludwig von Mises | John Maynard Keynes | José Ortega y Gasset | Salvador de Madariaga | Wilhelm Röpke | Bertil Ohlin | Friedrich Hayek | Karl Popper | John Hicks | Raymond Aron | John Kenneth Galbraith | Isaiah Berlin | Milton Friedman | James M. Buchanan | John Rawls | Ralf Dahrendorf | Karl-Hermann Flach | Ronald Dworkin | Richard Rorty | Amartya Sen | Robert Nozick | Hernando de Soto | William Kymlicka | Dirk Verhofstadt
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