| Elements of the magical and the mundane are interwoven seamlessly, making it impossible to determine where reality ends and the extraordinary begins. | |
| The story is set in an otherwise ordinary world, with familiar historical and/or cultural realities. Story events are not always explained by universal laws or familiar logic. | |
| The ordinary aspects of the story are what produce the greatest magic. | |
| Objects and settings within the story may take on lives of their own in a way that is ordinary to the characters in the story. | |
| Constructs of time do not follow typical Western conventions. For instance, stories may be told in spiraling shapes rather than in straight lines. | |
| The story, as it unfolds, gives the reader a sense of being inside a puzzle or maze. | |
| Contradictions, inconsistencies and ambiguities color the point of view, making you question what you understand about the world at large, as well as what happens inside the story. | |
| A metamorphosis takes place in the story. It's treated not as a miracle, but as an everyday event. | |
| The story bears the influences of oral tradition: fables, myths, tall tales, urban legends, a charmed storytelling narrator (who may or may not be reliable). | |
| The magical elements in the story may enhance a subversive message or personalized point of view. Often the point of view is revealed through voices, ideas, and places which exist outside the mainstream or majority perspective. | |
| Magic occurs without using devices typical to the fantasy genre unless the devices (i.e. ghosts, angels) are employed in a context that makes them ordinary. Ghosts or angels may exist in a magical realist story, for instance, but not in a way that is surprising or unusual to the characters in the book. | |