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Elements of the magical and the mundane are interwoven seamlessly,
making it impossible to determine where reality ends and the extraordinary
begins. |
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The story is set in an otherwise ordinary world, with familiar historical
and/or cultural realities. Story events are not always explained by universal
laws or familiar logic. |
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The ordinary aspects of the story are what produce the greatest magic. |
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Objects and settings within the story may take on lives of their
own in a way that is ordinary to the characters in the story. |
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Constructs of time do not follow typical Western conventions. For
instance, stories may be told in spiraling shapes rather than in straight
lines. |
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The story, as it unfolds, gives the reader a sense of being inside
a puzzle or maze. |
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Contradictions, inconsistencies and ambiguities color the point of
view, making you question what you understand about the world at large, as
well as what happens inside the story. |
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A metamorphosis takes place in the story. It's treated not as a miracle,
but as an everyday event. |
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The story bears the influences of oral tradition: fables, myths,
tall tales, urban legends, a charmed storytelling narrator (who may or may
not be reliable). |
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The magical elements in the story may enhance a subversive message
or personalized point of view. Often the point of view is revealed through
voices, ideas, and places which exist outside the mainstream or majority perspective. |
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Magic occurs without using devices typical to the fantasy genre unless
the devices (i.e. ghosts, angels) are employed in a context that makes them
ordinary. Ghosts or angels may exist in a magical realist story, for instance,
but not in a way that is surprising or unusual to the characters in the book. |